FMR Audio RNLA500 Really Nice Leveling Amp 500 Series Module

Rs. 275.00

It's tempting, if not a little lazy, to view FMR Audio's 500-series offerings as mere repackages of tried-and-true products like the RNLA. There is really nothing mere about them. It's not that there aren't obvious connections...the RNLA500's lineage is definitely visible and audible: red knobs—albeit slightly more refined—provide a visual clue as to its origins while it's signature sound tell you the RNLA's algorithm is still beating in its silicon heart. It's still an RNLA that you can use to add some compression-induced character (and control) to your vocal/bass/drum/mix/guitar/piano/orchestral/banjo tracks. It's also comfortably responsive to its controls, just like the 1/3 rack version. So what about this isn't merely a repackaging?

First, there's the 500-series thing: small, rugged and convenient analog audio processing modules that fit into just about any recording situation—from pro studios to bedroom venues. The 500-series format is, well, everywhere. Secondly, although convenience and size are important (this is audio after all), if it doesn't deliver the sonic results, what's the point? Even dyed-in-the-wool RNLA users notice that there's something more here: THICK & GOOEY, meet CREAMY & SMOOTH! From fully, electronically balanced I/O to higher-resolution arithmetic, the net result is a professional audio compressor that's both responsive, small, rugged and has tone for days.

Features:

Single-channel, 500-series version of the RNLA.
Balanced input & output.
Linkable for stereo operation.
Maximum input/output levels of +28dBu.
Overcurrent protection circuits safeguard 500-series rack operation in case of power supply faults.
Linear & Logarithmic Release modes.
Accurate signal level metering via power-saving "dot" gain-reduction display.
Sealed, C&K subminiature toggle switches.
Red-anodized, machined aluminum knobs.
Controls calibrated in the coveted Tufnel scale for maximum something.