{"title":"MySmartColection","description":"","products":[{"product_id":"25-seven-systems-precision-delay-for-broadcast-aes-in-out","title":"25-Seven Systems Precision Delay for Broadcast (AES In\/Out)","description":"\u003cp\u003e\u003cstrong\u003eEquipped with AES\/EBU input and output.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBroadcasters have been looking for a sophisticated solution to the “blending” problem that is created when mobile receivers need to switch between HD Radio and analog due to signal degradation. Using the precise measurements provided by industry leading modulation monitors such as Belar’s FMHD1 and Audemat’s Golden Eagle, Precision Delay allows a station to set, and adjust when necessary, the exact delay required on their analog chain to ensure a smooth transition in and out of HD Radio reception.\u003c\/p\u003e \u003cp\u003eOnce again, 25-Seven has listened to its customers and addressed their most pressing concerns. And once again, 25-Seven has used its expertise in audio algorithms and simple-to-understand user interface design to create a product that fits perfectly into the contemporary broadcast station. Precision Delay allows a station to adjust to sample level accuracy delays ranging from fractional seconds required for broadcast repeater synchronization to multiple hours for time zone management of program distribution. Use of flash drives means no “crashing” hard drive concerns.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eSaving Time, Managing Time\u003c\/strong\u003e\u003cbr\u003e \r\n  For nearly a decade, 25-Seven Systems has been helping you solve your station’s time management problems. Now we've got something for your toughest challenges. Precision Delay, our fourth specialized product, addresses applications such as drift between analog and HD Radio transmission signals and broadcast repeater synchronization.\u003c\/p\u003e \r\n\u003cp\u003ePrecision Delay offers sample-accurate delay times adjustable in fractions of a second; seamless watermark-protecting builds and exits; synchronized data streams; network accessible control; and 25-Seven quality and support. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eKeeping HD Radio in Sync with Analog\u003c\/strong\u003e\u003cbr\u003e \r\nWith more and more vehicles equipped with HD Radio receivers, stations can’t afford confusing listener experiences due to blending out-of-sync analog and HD Radio signals.\u003c\/p\u003e \r\n\u003cp\u003ePrecision Delay lets you precisely set offset measurements by querying and retrieving them over IP from your BELAR FMHD1 or AUDEMAT Golden Eagle modulation monitor. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eTake Precision Delay Out to the Ballgame\u003c\/strong\u003e\u003cbr\u003e \r\nWhen sports fans listen to radio play-by-play at the stadium, they may not know if they are in the right ballpark when HD Radio diversity delay is running. Getting your station into “ball-game mode” means switching the HD Radio signal on and off without annoying listeners or impacting ratings. Precision Delay lets you smoothly build in and out of delay.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eWatermark Friendly\u003c\/strong\u003e\u003cbr\u003e \r\nProtecting the integrity of ratings watermark codes during delay builds and exits presents special challenges. Precision Delay’s unique Watermark Safe Mode helps accommodate the time-based structure of watermark encoding. Our algorithms never alter pitch, so unlike other time manipulation processes, they never undermine the critical frequencies upon which watermarking depends. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eSmall Delays: Keep Boosters In Sync\u003c\/strong\u003e\u003cbr\u003e \r\nProper time alignment is critical to keeping main signals in sync with boosters or other transmitters relaying on the same frequency. Precision Delay lets you adjust delays by increments as small as a single sample. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eLarge Delays: Shift Across Time Zones\u003c\/strong\u003e\u003cbr\u003e \r\nFor facilities that need to delay content by several minutes to as much as four hours, Precision Delay provides a flexible solution with no spinning hard drives and no complicated programming. With “set and run” simplicity and solid-state reliability. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eDelay Data \u0026amp; GPIO\u003c\/strong\u003e\u003cbr\u003e \r\nPrecision delay supports up to 3 independent data delays. Serial data over IP or RS-232 such as “now playing” metadata can be delayed in sync with audio — even when delay time is in transition. Contact closures can also be delayed on input so that they trigger against the appropriate audio on output. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAES, Balanced Analog and Livewire IP Audio\u003c\/strong\u003e\u003cbr\u003e \r\nAES digital, balanced analog and Livewire IP audio are standard. Whether you already have an IP audio system or you want to keep your plant IP-capable, Precision Delay matches your signal path today and for years to come. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eControl Precision Delay from Anywhere\u003c\/strong\u003e\u003cbr\u003e \r\nIn addition to controlling Precision Delay using GPIO (contract closures), Precision Delay offers complete configuration and control over a LAN or WAN using a common web browser. Navigating though parameters is a breeze with our internal password-protected web server. The server gives you five separate pages for complete and convenient control over your PD. The network interface also lets you remotely install software updates. Whether your unit is located in your main equipment room or at the transmitter, control is probably right where you're sitting now. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003cbr\u003e \r\nAn Adobe Flash-based application replicates PD's front panel on your web browser, so every button and display is present and functions just like the real front panel. Through careful client-server communications management, round-trip latency is almost imperceptible, creating a seamless user experience. You can even control PD from multiple computers. Just open a web browser interface on each, and anything you do on one computer will be reflected on the others, as well as on PD's physical front panel. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003cbr\u003e \r\nTired of learning hieroglyphics just to configure a delay? Navigating though “set and forget” parameters is a breeze with the PD's Configuration page. You'll find obvious control with all your settings on one simple screen, so you don’t waste time entering data though an ill-suited LCD interface.\u003c\/p\u003e","brand":"25-Seven Systems","offers":[{"title":"Default Title","offer_id":48404439060,"sku":"735310","price":3890.0,"currency_code":"INR","in_stock":true}]},{"product_id":"25-seven-systems-program-delay-manager-for-broadcast-aes-in-out","title":"25-Seven Systems Program Delay Manager for Broadcast (AES in\/Out)","description":"\u003cp\u003e\u003cstrong\u003eEquipped with AES\/EBU input and output.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eLeave it to 25-Seven Systems to re-invent the profanity delay. Program Delay Manager (PDM) brings the possibilities of the Internet age to a “stand-alone box” technology that hasn’t advanced much since the 1980’s. Ease of use, transparent audio quality and program director friendly features converge in PDM to take an old process to a new level.\u003c\/p\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003e\u003cstrong\u003eThe Air Check is in the Email\u003c\/strong\u003e\u003cbr\u003e \r\n  Program Directors have more on their plates today than ever before. There’s no way anyone can monitor every broadcast hour of every day, but PDs need to be the first to know what happened when that “dump” button got pressed.\u003c\/p\u003e \r\n\u003cp\u003eWith Program Delay Manager’s patented PD-Alert™ feature, two time-stamped audio files capturing what took place both on air and off air get internally archived and emailed to the PD (or GM, or CE, or the legal team) every time questionable material is “dumped”.\u003c\/p\u003e \r\n\u003cp\u003eFor stations serious about protecting their license, PDM provides an instant log record establishing your station’s action and intent to keep the airwaves clean.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003e99 Seconds Of Delay Your Way\u003c\/strong\u003e\u003cbr\u003e \r\nPDM comes standard with 99 seconds of stereo audio delay, and a dump button that can be set to remove any number of seconds you choose.\u003c\/p\u003e \r\n\u003cp\u003eBuild a delay through pre-rolling, time expansion or audio file play-out capabilities built right into PDM. Exit a delay through time compression or use the Cough button to simply wait and exit.\u003c\/p\u003e \r\n\u003cp\u003eDump audio through the standard “cut and rebuild” method, or use PDM’s Overkill™ feature to play a “fill” file. Overkill allows you to select a show specific file from a list and play it over the dump buffer instead of collapsing the delay.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eHow PDM Does It\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cp\u003e  \u003cstrong\u003eSuperior Audio Algorithm Quality\u003c\/strong\u003e\u003cbr\u003e \r\n25-Seven has a well-deserved reputation for offering the industry’s most transparent time compression and expansion algorithms. Your listeners probably won’t appreciate our superior, artifact-free audio because they won’t perceive it's in use! \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFlawless Expansion\/Compression\u003c\/strong\u003e\u003cbr\u003e \r\n25-Seven Systems’ imperceptible audio time compression algorithms serve up smooth, crisp, stutter-free audio in PDM, even on stereo music. Unlike other products, we never splice at level thresholds or alter pitch. Clean audio is what we do best… now you can be sure the content is “clean” as well!\u003c\/p\u003e \r\n\u003cp\u003eBetter algorithms mean delays can be rebuilt faster, so you can safely get back to callers. Build or Exit rates can be adjusted in real time, so you can be more or less aggressive, depending on audio content. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAudio, RDS, Data Streams and GPI\/O  Stay Synced\u003c\/strong\u003e\u003cbr\u003e \r\nPAD or “now playing” data streams are delayed in precise synchronization with the audio as it grows, shrinks or whenever the dump button is pressed.\u003c\/p\u003e \r\n\u003cp\u003ePDM’s data-follow-audio capabilities allow flexible synchronization from any data input to any data output. For example, serial data entering the RS-232 input can be routed to an IP output while remaining synchronized to the audio. 2 independent data delays are supported, and GPI\/O closures stay in sync, too. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFuture-Proof Audio Quality\u003c\/strong\u003e\u003cbr\u003e \r\nSuperior balanced analog I\/O, with AES digital standard. 85dB s\/n, response 25Hz-18kHz (+0\/-0.2dB) and 0.02% THD+N… even during compression\/expansion. Audio is always linear, so no lossy data reduction enters your signal path. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAES Digital, Balanced Analog or Livewire AoIP\u003c\/strong\u003e\u003cbr\u003e \r\nThe first program delay to provide Audio over IP (AoIP) and control over Axia Livewire audio networks, PDM comes in two models: one with balanced analog and AES digital I\/O and the other with AoIP for Livewire. Whether you already have a Livewire network or you want to keep your plant AoIP-capable, PDM has you covered with Ethernet connectivity. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eSuperior Control\u003c\/strong\u003e\u003cbr\u003e \r\nChoices, choices! PDM presents you with easy-to-use front panel controls, designed for the rigors of radio. Contact closure commands can be synced to the audio delay by the smart, programmable 8x8 GP I\/O. Full bi-directional serial control over both RS232 and IP include advanced real-time status monitoring of parameters such as current delay depth and audio levels.\u003c\/p\u003e \r\n\u003cp\u003eA comprehensive web interface allows your PDM to be managed from nearly anywhere. Our Multi-View web feature permits networks and big facilities to monitor and manage up to 20 PDM’s from a single browser screen. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003ePDM Web Interface\u003c\/strong\u003e\u003cbr\u003e \r\nIn addition to controlling Program Delay Manager using GPIO (contract closures), PDM comes with a built-in, password-protected web server, allowing you to remote control your unit across a local or wide area network.The server gives you five separate pages for complete and convenient control over your PDM. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003cbr\u003e \r\nAn Adobe Flash-based application replicates PDM's front panel on your web browser, so every button and display is present and functions just like the real front panel. Through careful client-server communications management, round-trip latency is almost imperceptible, creating a seamless user experience. You can even control PDM from multiple computers. Just open a web browser interface on each, and anything you do on one computer will be reflected on the others, as well as on PDM's physical front panel.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003cbr\u003e \r\nTired of learning hieroglyphics just to configure a profanity delay? Navigating though “set and forget” parameters is a breeze with the PDM's Configuration page. You'll find obvious control with all your settings on one simple screen, so you don’t waste time entering data though an ill-suited LCD interface.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003ePD Alerts™\u003c\/strong\u003e\u003cbr\u003e \r\nA dedicated page lists all of the PD Alert emails the PDM has sent to your chosen staff.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eDump Archive\u003c\/strong\u003e\u003cbr\u003e \r\nA Dump Archive shows all your saved dumped audio files. Easily review just what's been cut out of your air stream.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eInsert Files\u003c\/strong\u003e\u003cbr\u003e \r\nEasy management of the files you can use for quickly building your buffer at the beginning of the show. No more flash drives and cryptic file names!\u003c\/p\u003e","brand":"25-Seven Systems","offers":[{"title":"Default Title","offer_id":48404470804,"sku":"735308","price":2890.0,"currency_code":"INR","in_stock":true}]},{"product_id":"25-seven-systems-program-delay-manager-for-broadcast-livewire-in-out","title":"25-Seven Systems Program Delay Manager for Broadcast (LiveWire in\/Out)","description":"\u003cp\u003e\u003cstrong\u003eEquipped with LiveWire input and output.\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eLeave it to 25-Seven Systems to re-invent the profanity delay. Program Delay Manager (PDM) brings the possibilities of the Internet age to a “stand-alone box” technology that hasn’t advanced much since the 1980’s. Ease of use, transparent audio quality and program director friendly features converge in PDM to take an old process to a new level.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eThe Air Check is in the Email\u003c\/strong\u003e\u003cbr\u003e \r\n  Program Directors have more on their plates today than ever before. There’s no way anyone can monitor every broadcast hour of every day, but PDs need to be the first to know what happened when that “dump” button got pressed.\u003c\/p\u003e \r\n\u003cp\u003eWith Program Delay Manager’s patented PD-Alert™ feature, two time-stamped audio files capturing what took place both on air and off air get internally archived and emailed to the PD (or GM, or CE, or the legal team) every time questionable material is “dumped”.\u003c\/p\u003e \r\n\u003cp\u003eFor stations serious about protecting their license, PDM provides an instant log record establishing your station’s action and intent to keep the airwaves clean.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003e99 Seconds Of Delay Your Way\u003c\/strong\u003e\u003cbr\u003e \r\nPDM comes standard with 99 seconds of stereo audio delay, and a dump button that can be set to remove any number of seconds you choose.\u003c\/p\u003e \r\n\u003cp\u003eBuild a delay through pre-rolling, time expansion or audio file play-out capabilities built right into PDM. Exit a delay through time compression or use the Cough button to simply wait and exit.\u003c\/p\u003e \r\n\u003cp\u003eDump audio through the standard “cut and rebuild” method, or use PDM’s Overkill™ feature to play a “fill” file. Overkill allows you to select a show specific file from a list and play it over the dump buffer instead of collapsing the delay.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eHow PDM Does It\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cp\u003e  \u003cstrong\u003eSuperior Audio Algorithm Quality\u003c\/strong\u003e\u003cbr\u003e \r\n25-Seven has a well-deserved reputation for offering the industry’s most transparent time compression and expansion algorithms. Your listeners probably won’t appreciate our superior, artifact-free audio because they won’t perceive it's in use! \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFlawless Expansion\/Compression\u003c\/strong\u003e\u003cbr\u003e \r\n25-Seven Systems’ imperceptible audio time compression algorithms serve up smooth, crisp, stutter-free audio in PDM, even on stereo music. Unlike other products, we never splice at level thresholds or alter pitch. Clean audio is what we do best… now you can be sure the content is “clean” as well!\u003c\/p\u003e \r\n\u003cp\u003eBetter algorithms mean delays can be rebuilt faster, so you can safely get back to callers. Build or Exit rates can be adjusted in real time, so you can be more or less aggressive, depending on audio content. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAudio, RDS, Data Streams and GPI\/O  Stay Synced\u003c\/strong\u003e\u003cbr\u003e \r\nPAD or “now playing” data streams are delayed in precise synchronization with the audio as it grows, shrinks or whenever the dump button is pressed.\u003c\/p\u003e \r\n\u003cp\u003ePDM’s data-follow-audio capabilities allow flexible synchronization from any data input to any data output. For example, serial data entering the RS-232 input can be routed to an IP output while remaining synchronized to the audio. 2 independent data delays are supported, and GPI\/O closures stay in sync, too. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFuture-Proof Audio Quality\u003c\/strong\u003e\u003cbr\u003e \r\nSuperior balanced analog I\/O, with AES digital standard. 85dB s\/n, response 25Hz-18kHz (+0\/-0.2dB) and 0.02% THD+N… even during compression\/expansion. Audio is always linear, so no lossy data reduction enters your signal path. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAES Digital, Balanced Analog or Livewire AoIP\u003c\/strong\u003e\u003cbr\u003e \r\nThe first program delay to provide Audio over IP (AoIP) and control over Axia Livewire audio networks, PDM comes in two models: one with balanced analog and AES digital I\/O and the other with AoIP for Livewire. Whether you already have a Livewire network or you want to keep your plant AoIP-capable, PDM has you covered with Ethernet connectivity. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eSuperior Control\u003c\/strong\u003e\u003cbr\u003e \r\nChoices, choices! PDM presents you with easy-to-use front panel controls, designed for the rigors of radio. Contact closure commands can be synced to the audio delay by the smart, programmable 8x8 GP I\/O. Full bi-directional serial control over both RS232 and IP include advanced real-time status monitoring of parameters such as current delay depth and audio levels.\u003c\/p\u003e \r\n\u003cp\u003eA comprehensive web interface allows your PDM to be managed from nearly anywhere. Our Multi-View web feature permits networks and big facilities to monitor and manage up to 20 PDM’s from a single browser screen. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003ePDM Web Interface\u003c\/strong\u003e\u003cbr\u003e \r\nIn addition to controlling Program Delay Manager using GPIO (contract closures), PDM comes with a built-in, password-protected web server, allowing you to remote control your unit across a local or wide area network.The server gives you five separate pages for complete and convenient control over your PDM. \u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003cbr\u003e \r\nAn Adobe Flash-based application replicates PDM's front panel on your web browser, so every button and display is present and functions just like the real front panel. Through careful client-server communications management, round-trip latency is almost imperceptible, creating a seamless user experience. You can even control PDM from multiple computers. Just open a web browser interface on each, and anything you do on one computer will be reflected on the others, as well as on PDM's physical front panel.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003cbr\u003e \r\nTired of learning hieroglyphics just to configure a profanity delay? Navigating though “set and forget” parameters is a breeze with the PDM's Configuration page. You'll find obvious control with all your settings on one simple screen, so you don’t waste time entering data though an ill-suited LCD interface.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003ePD Alerts™\u003c\/strong\u003e\u003cbr\u003e \r\nA dedicated page lists all of the PD Alert emails the PDM has sent to your chosen staff.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eDump Archive\u003c\/strong\u003e\u003cbr\u003e \r\nA Dump Archive shows all your saved dumped audio files. Easily review just what's been cut out of your air stream.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eInsert Files\u003c\/strong\u003e\u003cbr\u003e \r\nEasy management of the files you can use for quickly building your buffer at the beginning of the show. No more flash drives and cryptic file names!\u003c\/p\u003e","brand":"25-Seven Systems","offers":[{"title":"Default Title","offer_id":48404471060,"sku":"735309","price":2890.0,"currency_code":"INR","in_stock":true}]},{"product_id":"360-systems-dcem-3000-digicart-ex-ethernet-audio-network-recorder-player","title":"360 Systems DCEM-3000 Digicart\/EX Ethernet Audio Network Recorder\/Player","description":"\u003cp\u003e360 Systems' DigiCart\/EX Ethernet Audio recorder continues a twenty-year history as a first-choice for audio spots in television broadcasting. DigiCart\/EX is more than an improvement on the original DigiCart® concept - it's a high-performance, Ethernet Audio system for integrated audio.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNetworked Audio Without The Computer\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eNo computer and no mouse-just the hands-on efficiency of real buttons for all operations. Ethernet Audio® is the link to Mac® and PC-based audio workstations. Now, audio programs produced on DAWs can be easily played, manually or from automation, with DigiCart\/EX. When it's time to actually move an audio file, it's many times faster than real-time. Clear and easy to use, DigiCart\/EX is designed from the ground up for broadcast professionals.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDigiCart\/EX Works the Same As DigiCart II\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAnyone who uses DigiCart II will know how to use DigiCart\/EX. It offers better displays, better screen messages, and new networking features-but with the same familiar buttons. It's 100% compatible with earlier DigiCart recorders, plays files produced on them, and uses similar front panel commands.  All earlier DigiCart files can be played- whether Dolby AC-2, 16-bit linear, 44.1 or 48K-so valuable program content and archives can be carried forward. DigiCart\/EX can also create new files for use in DigiCart II, letting earlier hardware remain a valid part of a new facility.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e24-Bit Quality\u003c\/strong\u003e\u003cbr\u003e \r\n\r\n Great Audio Quality For Production. 24-Bit Quality DigiCart\/EX's 24-bit audio circuit design delivers 112 dB of dynamic range from its analog inputs. Our Bit-for-Bit™ digital design also maintains 24-bit integrity through the AES\/EBU ports, assuring error-free reproduction not only of standard PCM files, but also of Dolby® AC-3 or Dolby-E recordings.\u003c\/p\u003e \r\n\r\n\u003cp\u003e\u003cstrong\u003eSample Rate Compatibility\u003c\/strong\u003e\u003cbr\u003e \r\n\r\nAlthough most users will work at a 48 kHz sample rate, DigiCart\/EX is equally adept at 44.1, 88.2 and 96k. A high-quality sample rate converter can be positioned at either the input or the output, permitting conversion of any sample rate to 48K, or any other rate. Now 44.1, 88.2, and 96k music masters can be converted to standard 48K audio for video.\u003c\/p\u003e \r\n\r\n\u003cp\u003e\u003cstrong\u003eWord-Length Compatibility\u003c\/strong\u003e\u003cbr\u003e \r\n\r\nDigiCart\/EX plays files of almost any word length - 16, 20, or 24-bit. 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It shares the same custom-milled faceplate, brushed-aluminum control knobs, big jewel power indicator lamp, and heavy-duty Carling toggle switch as the HM2EQ Hammer (which, by the way, the EM-EQ2 sonically pairs with marvelously). The EM-EQ2’s controls attenuate high band at 5k, 10k, 20kHz; vary bandwidth AND boost mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and boost or attenuate the low band at 20Hz, 30Hz, 60Hz, or 100Hz. Boost and attenuation range from 0dB to ±10dB.\u003c\/p\u003e \u003cp\u003eAlong with modern performance enhancements, the EM-EQ2 faithfully preserves the EQ section design, control layout, and wonderfully smooth musicality of the original Pultec. It also has the same frequency settings and inductors that made the Pultec a must-have for capturing the bottom end. Additional features include a proprietary nickel-core output transformer, Wima caps, and true hard bypass. Instead of using common off-the-shelf chokes, A-Designs Audio employs a tapped inductor that’s custom-wound to the same values as the 500-series EM-PEQ. Along with the classic EQ circuitry, layout, and exceptionally musical sound of the original Pultec, the EM-EQ2 offers fully balanced, noise-free performance and modern impedance specs, bringing quick and easy integration to the modern studio.\u003c\/p\u003e \u003cp\u003eWhile many people still clamor to own an original Pultec equalizer, the simple truth of audio equipment is that unlike violins and brandy, electronics don’t improve with age. And even if you can find one on the vintage market that’s working, its 5-digit price tag limits its availability to a very select few. The A-Designs Audio EM-EQ2 is the answer for those who want the stellar sound of a Pultec equalizer plus the added benefit of modern performance and reliability. Even better, with its dual-mono design, the EM-EQ2 gives you two Pultecs for a fraction of the price of one.\u003c\/p\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e: \u003cul\u003e \u003cli\u003eDual mono, three-band band, Pultec-style EQ\u003c\/li\u003e \u003cli\u003eFaithfully preserves the EQ section design, controls, and musicality of the Pultec EQP-1\u003c\/li\u003e \u003cli\u003eEminently suited for tracking, mixing, or mastering\u003c\/li\u003e \u003cli\u003eSame frequency settings and inductors as original Pultec make it a must-have for capturing bottom end\u003c\/li\u003e \u003cli\u003eFully balanced, noise-free performance and modern impedance specs\u003c\/li\u003e \u003cli\u003eQuick and easy studio integration\u003c\/li\u003e \u003cli\u003eWima capacitors\u003c\/li\u003e \u003cli\u003eTrue hard bypass\u003c\/li\u003e \u003cli\u003eA-Designs proprietary, custom-wound tapped Inductor\u003c\/li\u003e \u003cli\u003eA-Designs proprietary nickel core output transformer\u003c\/li\u003e \u003cli\u003eRugged 2U metal housing with custom-milled faceplate and control knobs\u003c\/li\u003e \u003cli\u003eBig jewel power indicator lamp with heavy duty Carling power toggle switch\u003c\/li\u003e \u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404475604,"sku":"462521","price":2495.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-em-gold-500-series-microphone-preamp-module","title":"A Designs EM-GOLD 500 Series Microphone Preamp Module","description":"\u003cp\u003eThe EM-Gold’s combination of EM-Silver and EM-Red transformers make for the perfect sounding floor tom. It’s also the preamp you should reach for when you want that speaker-moving, low-mid thump from heavy guitars. The EM-Gold is ideal for fattening up thin-sounding sources; on mics lacking low mids or upper bass warmth; and mid transients, such as percussion and drums. It also shines on vocals, bass, and even drum machines. If you’re going to move air (the secret of a big sound), go for the Gold—the A-Designs Audio EM-Gold.\u003c\/p\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003eThe 500 series platform makes it possible to easily construct your own custom signal-processing array by combining a variety of physically compatible electronics modules in all sorts of differently configured power supply mounting frames.  It’s an affordable and flexible way to incorporate state of the art and boutique devices into just about any studio, live or broadcast environment.\u003c\/p\u003e \r\n\u003cp\u003eThe A-Designs Audio 500 microphone preamp series is comprised of five 500 series-compatible mic\/line pres, each one meticulously voiced with a specific sonic functionality in mind. These units are physically compatible with any API or VPR Alliance mounting device, and also meet the precise power rating requirements necessary to function perfectly from the moment you plug them in.  A basic understanding of electronic components and how their inherent physical qualities affect sound is helpful in selecting the proper module for the right application. Transformers occupy a key position in circuit design due to their ability to affect timbral quality. Apart from the utilitarian task of electronic isolation for noise-free operation, the alloys used for the transformer’s winding - along with the number of windings - will impart a distinct sonic quality: nickel-wound transformers provide a more transparent sound with an airy high end, while steel can impart a thick “Neve-like” midrange or low-end “API growl”…you get the idea.  To give each preamp in the A-Designs Audio EM-Series its own unique character, each has custom-wound transformers using proprietary A-Designs alloys that have been painstakingly tested to produce the perfect sound for the right application….but that doesn’t mean that the EM-Series preamps are one-trick ponies - far from it! What it does mean is that decades of collective experience between A-Designs Audio and highly respected audio professionals have taken the guesswork out of finding the right preamp for the job.\u003c\/p\u003e \r\n\u003cp\u003eThink of each of the EM series preamps as the master of a specific domain in the frequency spectrum. For example, the EM-Silver is stunning on the lower frequencies thanks to its steel-wound transformer, making it a perfect choice for bass or kick drum, while the EM-Blue’s nickel transformer provides the clarity needed to bring out the “crack” on snare drums, or to gently coax the highs from ribbon mics.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404476372,"sku":"89976","price":675.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/807fd7ab5ed8ef970a8d279494ff313d.jpg?v=1502887888"},{"product_id":"a-designs-em-peq-500-series-3-band-pultec-style-equalizer-module","title":"A Designs EM-PEQ 500 Series 3 Band Pultec Style Equalizer Module","description":"\u003cp\u003eAlong with modern performance enhancements, the A-Designs Audio EM-PEQ meticulously maintains the EQ-section design and control layout of the original Pultec EQP-1A, as well as its wonderfully smooth musicality. It also has the same frequency settings and inductors that made the Pultec a must-have for capturing the bottom end. Makeup amplification is achieved through the use of the same discrete Class AB amplifier found in A-Designs Audio’s immensely popular solid-state Pacifica mic preamp—putting a slightly unique and modern twist on the classic design of yesteryear.\u003c\/p\u003e \u003cp\u003eThe EM-PEQ’s controls attenuate high band at 5k, 10k, 20kHz; vary bandwidth AND boost mid to high band at 3k, 4k, 5k, 6k, 10k, 12k, 16kHz; and boost or attenuate the low band at 20Hz, 30Hz, 60Hz, or 100Hz. Boost and attenuation range from 0dB to ±10dB.\u003c\/p\u003e \u003cp\u003eAdditional features of the EM-PEQ include a nickel-core output transformer, gold Grayhill rotary switches, Wima caps, and a true hard-wired bypass. Plus, instead of using common off-the-shelf chokes, A-Designs uses a custom tapped inductor, wound to the original values as the original Pultec. Along with the classic EQ circuitry, layout, and exceptionally musical sound of the classic Pultec, the EM-PEQ offers fully balanced, noise-free performance and modern impedance specs for easy operation and fast studio integration.\u003c\/p\u003e \u003cp\u003eIn the world of pro audio recording, there are two types of equalizers: those that you don’t want to hear in action (“surgical or corrective EQ), and those that you do (“color, or character” EQ). The EM-PEQ is one you most definitely do. Unlike any other 500-Series equalizer, the A-Designs EM-PEQ sits on the extreme end of the “character” bench. It focuses on “correcting” that which cannot be fixed by so-called surgical EQs: the enhancement of tone and musicality.\u003c\/p\u003e \r\n\u003cp\u003eThe A-Designs Audio 500 Series comprises the four 500 series-compatible preamps, including the P-1, EM-Blue, EM-Silver, EM-Gold, and EM-Red, each specially voiced with a specific task or sound in mind. Also a highly respected member of this exclusive family is the EM-PEQ, a Pultec-style equalizer designed to bring the sonic dessert to your lunchbox. These units are not only a perfect fit for an API “lunchbox” physically, they also meet the precise power rating requirements necessary to function perfectly from the moment you plug them in.* To further guarantee that your A-Designs 500 modules work out of the box, A-Designs is one of a very few manufacturers that make their own 500-Series powered rack: the A-Designs Audio 500HR.\u003c\/p\u003e \r\n\u003cp\u003eIn order to achieve the quality of sound that brings a smile to your ears, a profound understanding of electronic components and how their inherent qualities affect sound is essential. Transformers hold a singular position in circuit design due to their ability to affect timbral quality. Apart from the utilitarian task of electronic isolation for noise-free operation, the alloys used for the transformer’s winding along with the number of windings, will impart a distinct sonic quality. For example, nickel-wound transformers provide a more transparent sound with an airy high end, while steel can impart a thick “Neve-like” midrange or low-end “API growl.”\u003c\/p\u003e \r\n\u003cp\u003eTo give each preamp in the A-Designs Audio EM-Series its own unique character, each has custom-wound transformers that employ proprietary A-Designs alloys that have been ear-tested to produce just the right sound for the right application. But that doesn’t mean that the EM-Series preamps are one-trick ponies—far from it. What it does mean is that decades of collective experience between A-Designs Audio and highly respected audio professionals who beta test A-Designs products have taken guesswork out of finding the right preamp for the job. Think of each of the EM series preamps as the ruler of a specific domain in the frequency spectrum. For example, the EM-Silver rules the lower frequencies thanks to its steel-wound transformer, making it a perfect choice for bass or kick drum, while the EM-Blue’s nickel transformer provides the clarity and highs needed to bring out the “crack” on snare drums.\u003c\/p\u003e \r\n\u003cp\u003eWith various combinations of EM-Series modules you can create a lunchbox dedicated to recording drums, channel strips with Pultec-style EQ, or simply have a preamp for all seasons in one convenient location.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404477076,"sku":"271212","price":1045.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/ae99ab081e3c8d11b5035b37f4c65ae2.jpg?v=1502887886"},{"product_id":"a-designs-em-red-single-channel-500-series-mic-preamp-with-di-and-50-50-transformer","title":"A Designs EM-Red Single Channel 500 Series Mic Preamp with DI and 50\/50 Transformer","description":"\u003cp\u003eThe EM-Red is the “mid-forward” member of the EM family. It derives its distinctive tone from a combination of an A-Designs proprietary input transformer featuring a unique winding, and a custom wound steel\/nickel-wound output transformer (also a proprietary A-Designs alloy ratio). The EM-Red has the extra kick you need with a mic that lacks present midrange (such as the mid-scooped Chinese capsules), or for bringing an instrument forward in the mix. The upfront mids of the EM-Red make it ideal for drums, guitar, bass guitar, and acoustic instruments….in fact, you will find the EM-Red particularly useful when recording acoustic guitar with a condenser microphone. It’s also great for bringing out the resonance and character of rack and floor toms.\u003c\/p\u003e \r\n\u003cp\u003eThe 500 series platform makes it possible to easily construct your own custom signal-processing array by combining a variety of physically compatible electronics modules in all sorts of differently configured power supply mounting frames.  It’s an affordable and flexible way to incorporate state of the art and boutique devices into just about any studio, live or broadcast environment.\u003c\/p\u003e \r\n\u003cp\u003eThe A-Designs Audio 500 microphone preamp series is comprised of five 500 series-compatible mic\/line pres, each one meticulously voiced with a specific sonic functionality in mind. These units are physically compatible with any API or VPR Alliance mounting device, and also meet the precise power rating requirements necessary to function perfectly from the moment you plug them in.  A basic understanding of electronic components and how their inherent physical qualities affect sound is helpful in selecting the proper module for the right application. Transformers occupy a key position in circuit design due to their ability to affect timbral quality. Apart from the utilitarian task of electronic isolation for noise-free operation, the alloys used for the transformer’s winding - along with the number of windings - will impart a distinct sonic quality: nickel-wound transformers provide a more transparent sound with an airy high end, while steel can impart a thick “Neve-like” midrange or low-end “API growl”…you get the idea.  To give each preamp in the A-Designs Audio EM-Series its own unique character, each has custom-wound transformers using proprietary A-Designs alloys that have been painstakingly tested to produce the perfect sound for the right application….but that doesn’t mean that the EM-Series preamps are one-trick ponies - far from it! What it does mean is that decades of collective experience between A-Designs Audio and highly respected audio professionals have taken the guesswork out of finding the right preamp for the job.\u003c\/p\u003e \r\n\u003cp\u003eThink of each of the EM series preamps as the master of a specific domain in the frequency spectrum. For example, the EM-Silver is stunning on the lower frequencies thanks to its steel-wound transformer, making it a perfect choice for bass or kick drum, while the EM-Blue’s nickel transformer provides the clarity needed to bring out the “crack” on snare drums, or to gently coax the highs from ribbon mics.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404478292,"sku":"62288","price":675.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-em-silver-500-series-microphone-preamp-module","title":"A Designs EM-SILVER 500 Series Microphone Preamp Module","description":"\u003cp\u003eIf you like the vintage Neve sound, you’ll love the EM-Silver. It has a darker tone than the P-1, EM-Red, and EM-Blue. Its sound is based on a custom-wound steel output transformer, which makes it an excellent match for ribbon microphones since steel transformers were widely used in the early days of recording and broadcast - it was the combination of steel transformer and ribbon mic that gave broadcasters and singers that “Voice of God” sound that has lit up so many vocal recording and the amplified spoken word for decades. The EM-Silver is an outstanding preamp for bass guitar and keyboards, and is also pretty killer on kick drum. For brighter sound sources, the EM-Silver is the preamp of choice when you want less top end or a vintage-type sound…especially when used with ribbon mics, or on modern, brighter condensers to smooth out top end.\u003c\/p\u003e \r\n\u003cp\u003eThe 500 series platform makes it possible to easily construct your own custom signal-processing array by combining a variety of physically compatible electronics modules in all sorts of differently configured power supply mounting frames.  It’s an affordable and flexible way to incorporate state of the art and boutique devices into just about any studio, live or broadcast environment.\u003c\/p\u003e \r\n\u003cp\u003eThe A-Designs Audio 500 microphone preamp series is comprised of five 500 series-compatible mic\/line pres, each one meticulously voiced with a specific sonic functionality in mind. These units are physically compatible with any API or VPR Alliance mounting device, and also meet the precise power rating requirements necessary to function perfectly from the moment you plug them in.  A basic understanding of electronic components and how their inherent physical qualities affect sound is helpful in selecting the proper module for the right application. Transformers occupy a key position in circuit design due to their ability to affect timbral quality. Apart from the utilitarian task of electronic isolation for noise-free operation, the alloys used for the transformer’s winding - along with the number of windings - will impart a distinct sonic quality: nickel-wound transformers provide a more transparent sound with an airy high end, while steel can impart a thick “Neve-like” midrange or low-end “API growl”…you get the idea.  To give each preamp in the A-Designs Audio EM-Series its own unique character, each has custom-wound transformers using proprietary A-Designs alloys that have been painstakingly tested to produce the perfect sound for the right application….but that doesn’t mean that the EM-Series preamps are one-trick ponies - far from it! What it does mean is that decades of collective experience between A-Designs Audio and highly respected audio professionals have taken the guesswork out of finding the right preamp for the job.\u003c\/p\u003e \r\n\u003cp\u003eThink of each of the EM series preamps as the master of a specific domain in the frequency spectrum. For example, the EM-Silver is stunning on the lower frequencies thanks to its steel-wound transformer, making it a perfect choice for bass or kick drum, while the EM-Blue’s nickel transformer provides the clarity needed to bring out the “crack” on snare drums, or to gently coax the highs from ribbon mics.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404478932,"sku":"354061","price":675.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/f97086c218a8144394ea35b7c007ef06.jpg?v=1502887885"},{"product_id":"a-designs-hammer-2-stereo-3-band-hybrid-tube-equalizer","title":"A Designs Hammer 2 Stereo 3-Band Hybrid Tube Equalizer","description":"\u003cp\u003eOne of A-Designs most lauded sound sculpting creations is the HAMMER 2, a dual-mono, three-band equalizer that's most at home on the main mix outputs, but is also an outstanding tool for tracking. It's one of a very select few audio tools that enhances sound simply by running signal through it, thanks in part to an ingenious filtering system that passes musical 2nd order tube harmonics while eliminating unwanted noise - just the heating blanket your DAW needs.  It's also ideal for adding \"air\" to vocals, carefully crafted punch to instruments or just the right texture to an overall mix; plus, a major benefit of its innovative design is the ability to push it as hard as you like - it's nearly impossible to make it sound bad.\u003c\/p\u003e \r\n\u003cp\u003eThe HAMMER 2 couldn't be easier to use. Its overall frequency range covers 30Hz to 40kHz. Each channel features six detented rotary controls: three frequency selector knobs (Lo, Mid, Hi) which are stepped switches for easy recall, each with an accompanying gain knob providing continuously variable boost or cut of 12dB. Each band has a selectable center frequency, and overlaps with the other bands in such a way that makes for a seamless transition throughout the entire spectrum. Each channel also features individual toggle switches for EQ In\/Out as well as Lo Cut (84Hz) and Hi Cut (8kHZ), filters that allow engineers to perform utilitarian EQ chores while still being able to bring the full power of The Hammer's three bands to bear. Mainly intended as a \"broad stroke\" equalizer, the HM2EQ's bandwidth (Q) is self-adjusting (floating), based on a combination of the amount of gain applied and the dynamics and frequency content of the program material.\u003c\/p\u003e \r\n\u003cp\u003eThe Hammer's unique ability to have its Q \"move with the music\" is one the keys to its incredible musical performance, and is another reason why it's difficult to make the Hammer sound bad at any frequency or gain setting. Along with its innovative tube-harmonic filtering circuit, a pair of carefully selected 12AT7 tubes (offering the most consistent control of any tube) and a custom heavy duty toroidal power transformer add the final touches to the Hammer's signal path.\u003c\/p\u003e \r\n\u003cp\u003eLike its twin - the A-Designs \"Nail\" compressor - the Hammer features a black, custom-milled, brushed faceplate sporting custom-milled aluminum control knobs, a heavy-duty Carling toggle power switch, and a big blue jewel power indicator lamp- overall, a stunning combination of modern-retro looks that jump out of the rack.\u003c\/p\u003e \r\n\u003cp\u003eThe Hammer is an inspired design whose sonic signature is far greater than the sum of its components. Perfectly happy in tracking applications or as an insert effect on individual channels, it is the ultimate full-range finishing device for sub-mixes and master outputs.  After all, what audio toolbox would be complete without a Hammer?\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eWorld-class, three-band, dual-mono tube\/hybrid equalizer\u003c\/li\u003e \r\n  \u003cli\u003eDesigned to sound highly musical for larger EQ functions typically found on expensive mastering\u003c\/li\u003e \r\n  \u003cli\u003eSmooth, super-fidelity EQ, suitable for very high-end applications\u003c\/li\u003e \r\n  \u003cli\u003eBeautiful-sounding broad EQ-shaping across several octaves with no adverse effect on tone\u003c\/li\u003e \r\n  \u003cli\u003eClean and airy high end. •Warmth, transparency, and quality sound.\u003c\/li\u003e \r\n  \u003cli\u003eDetened boost and cut controls\u003c\/li\u003e \r\n  \u003cli\u003eFixed frequency settings with highly musical overlapping bands and floating “Q”\u003c\/li\u003e \r\n  \u003cli\u003eLow-cut and high-cut filters and bypass\u003c\/li\u003e \r\n  \u003cli\u003eTransformer-less 12AT7 output tubes.\u003c\/li\u003e \r\n  \u003cli\u003eCustom-milled aluminum knobs and faceplate with EQ in\/out, low-cut, and high-cut toggle switches\u003c\/li\u003e \r\n  \u003cli\u003eHeavy-duty Carling power toggle switch.\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404480660,"sku":"994530","price":2495.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-hm2-comp-nail-dual-channel-compressor-and-limiter","title":"A Designs HM2 Comp Nail Dual Channel Compressor and Limiter","description":"\u003cp\u003eAwarded a Mix Certified Hit by Mix magazine, the A-Designs Audio HM2 NAIL Compressor\/Limiter has three unique features that set it apart from ordinary compressors: Hard Threshold, Filter, and Mix. But that’s not where it ends. The NAIL’s tube circuitry and components were specifically chosen and designed to impart the rich, euphonic sound of analog to digital recording, enabling it to confidently ride the 2-bus in a place of prominence. And while the NAIL can add character to any sound, it can also work transparently in the background, all at the engineer’s discretion. Not just for the 2-bus, its ability to switch from linked stereo to dual mono makes it a great tracking compressor as well. Better still, on a stereo mix, using dual mono offers the added bonus of making the mix sound wider, as though it extends beyond the left\/right boundaries of the speakers.\u003c\/p\u003e \u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cul\u003e \u003cli\u003eSolid state\/tube hybrid design combines high performance with rich sound\u003c\/li\u003e \u003cli\u003eDual channel with switchable stereo link or dual mono modes\u003c\/li\u003e \u003cli\u003eMix control lets you blend wet\/dry signal for parallel compression\u003c\/li\u003e \u003cli\u003eHard Threshold and Filter let you select amount of compression and frequency (to 250Hz) to prevent mix from being “dragged down” by LF energy\u003c\/li\u003e \u003cli\u003eAwarded “Mix Certified Hit” by Mix magazine\u003c\/li\u003e \u003cli\u003eCustom-milled aluminum knobs\u003c\/li\u003e \u003cli\u003eCustom-milled aluminum faceplate\u003c\/li\u003e \u003cli\u003eLED Indicators switchable to stereo\u003c\/li\u003e \u003cli\u003eGain-reduction switch for meters\u003c\/li\u003e \u003cli\u003e2U rackmount\u003c\/li\u003e \u003cli\u003eBalanced XLR outputs\u003c\/li\u003e \u003cli\u003eCarling toggle power switch\u003c\/li\u003e \u003cli\u003eRed jewel power indicator\u003c\/li\u003e \u003cli\u003eIn\/out switch\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cstrong\u003eThreshold, Hard Threshold and Variable Sidechain Filter:\u003c\/strong\u003e \r\n\u003cp\u003eUpon inspecting the NAIL’s highly attractive custom-milled aluminum knobs and faceplate, you’ll notice the absence of a ratio control. In its place are Threshold and Hard Threshold. With Hard Threshold turned off, Threshold acts much like an LA-2A by increasing gain reduction. Attack and release controls become somewhat irrelevant in this mode and the NAIL becomes a model of simplicity; set its threshold and gain, and let the NAIL work its magic.\u003c\/p\u003e \r\n\u003cp\u003eFor those who like to dig deeper, Hard Threshold opens up a world of compression-\/envelope-shaping possibilities. Like the hard knee of a traditional compressor, Hard Threshold works in conjunction with the Filter, which is a variable high-pass filter continuously controllable from 8Hz to 250Hz. Once the Hard Threshold is crossed, the NAIL will apply desired compression above the selected frequency, and less to the frequencies below. This prevents the greater energy of bass from triggering unwanted compression and ducking the entire mix. Filter also lets you enhance bottom end for bass-heavy music without throwing the mix’s entire frequency spectrum out of whack, as a multi-band compressor often does.\u003c\/p\u003e \r\n\u003cp\u003ePut simply, the combination of Threshold, Hard Threshold, and Filter allow you to dial in amount of compression, at what level it will engage, and above which frequencies it will act. Ratio is always self-adjusting in response to program material.\u003c\/p\u003e \r\n\u003cstrong\u003eAttack, Release, Gain and Metering:\u003c\/strong\u003e \r\n\u003cp\u003eThe HM2 NAIL’s remaining continuously variable controls include Attack, Release, and Gain, which function as expected. However, Attack and Release are dependent on the settings of the Hard Threshold and also respond dynamically to program material, making for a more forgiving and musical response than traditional “once size fits all” attack\/release circuits. Other functions include compressor In\/Out for quick A\/B comparison; Stereo Link\/Dual Mono; and Gain Reduction\/Level for metering, all controlled via toggle switch. Speaking of meters, the NAIL’s LED meter was chosen for it’s ultra fast response and the ability to see it clearly from across a dark-lit control room.\u003c\/p\u003e \r\n\u003cstrong\u003eMix Control:\u003c\/strong\u003e \r\n\u003cp\u003eThe HM2 NAIL’s Mix knob offers continuously variable control between direct (dry) and compressed signal. Particularly useful for DAW mixing, Mix enables you to apply parallel compression to a submix without losing two channels of A\/D\/A for an aux send\/return. And of course, you can also use it on an overall mix to add size and depth, or during tracking.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404481492,"sku":"354055","price":2595.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-kgb-1tf1-single-channel-solid-state-instrument-preamp","title":"A Designs KGB-1TF1 Single Channel Solid State Instrument Preamp","description":"\u003cp\u003eThe KGB-Itf (Tone Filters) is a mono unit . It includes three tone controls, High, Mid, and Bass.\u003c\/p\u003e \u003cp\u003eThe KGB Series are single-ended, high input impedance, discrete audio pre-amps designed for high impedance, unbalanced outputs such as: guitar, bass guitar, and electronic keyboards. Just as a low impedance, balanced pre-amp is needed, (designed for use with microphones), a pre-amplifier designed for use with unbalanced high impedance instruments is also required. The KGB Series contains high voltage, discrete op-amps with balanced output transformers by Cinemag, Inc.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSingle Discrete Input with Thru\u003c\/li\u003e \u003cli\u003eGain Select Switch - High\/Low\u003c\/li\u003e \u003cli\u003ePhase Reverse Switch\u003c\/li\u003e \u003cli\u003eGround Lift Switch\u003c\/li\u003e \u003cli\u003eExternal Power Transformer for a very low Noise Floor\u003c\/li\u003e \u003cli\u003eThree Band fixed frequency Tone Filter with 12db cut\/boost\u003c\/li\u003e \u003cli\u003eHigh\/Mid\/Low\u003c\/li\u003e \u003cli\u003eAll Metal Chassis\u003c\/li\u003e \u003cli\u003eMilled Aluminum Knobs\u003c\/li\u003e \u003cli\u003eBalanced XLR Gold Pin Neutrik Outputs\u003c\/li\u003e \u003cli\u003eSwitchcraft 1\/4 Input Jacks\u003c\/li\u003e \u003cli\u003eBipolar Electrolytic Capacitors\u003c\/li\u003e \u003cli\u003e1% Metal Resistors\u003c\/li\u003e \u003cli\u003eBlue Led Power Indicator\u003c\/li\u003e \u003cli\u003e4 Rubber Feet\u003c\/li\u003e \u003cli\u003eHeat Vents\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eOutput to Line-In to FOH or Stage Monitors.\u003c\/li\u003e \r\n  \u003cli\u003eOutput to Line-In on a Recording Console.\u003c\/li\u003e \r\n  \u003cli\u003eOutput to Input of Digital Audio Converters.\u003c\/li\u003e \r\n  \u003cli\u003eOutput to Power Amplifiers.\u003c\/li\u003e \r\n  \u003cli\u003eBalanced, Line-Level +4db Output, which allows for bypass of the typical DI, Microphone Preamplifier and other input stages. \u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404481620,"sku":"888260","price":745.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-kgb-ii-dual-channel-solid-state-instrument-preamp","title":"A Designs KGB-II Dual Channel Solid State Instrument Preamp","description":"\u003cp\u003eThe KGB-II is a two-channel, solid state unit that allows use of both channels for stereo recordings or live performances. This works well with stereo output instruments such as: keyboards or stereo guitar pickups. For bass players, there is  freedom to use two basses in a live performance, simply by picking up the other bass and playing without any delay between songs.\u003c\/p\u003e \u003cp\u003eThe KGB-II and KGB-Itf are single-ended, high input impedance, discrete audio pre-amps designed for high impedance, unbalanced outputs such as: guitar, bass guitar, and electronic keyboards. Just as a low impedance, balanced pre-amp is needed, (designed for use with microphones), a pre-amplifier designed for use with unbalanced high impedance instruments is also required. The KGB Series contains high voltage, discrete op-amps with balanced output transformers by Cinemag, Inc.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTwo Discrete Inputs with Thru\u003c\/li\u003e \u003cli\u003eGain Select Switches for each channel - High\/Low\u003c\/li\u003e \u003cli\u003ePhase Reverse Switch for each channel\u003c\/li\u003e \u003cli\u003eGain Lift Switch\u003c\/li\u003e \u003cli\u003eExternal Power Transformer for a very low Noise Floor\u003c\/li\u003e \u003cli\u003eAll Metal Chassis\u003c\/li\u003e \u003cli\u003eMilled Aluminum Knobs\u003c\/li\u003e \u003cli\u003eBalanced XLR Gold Pin Neutrik Outputs\u003c\/li\u003e \u003cli\u003eSwitchcraft 1\/4 Input Jacks\u003c\/li\u003e \u003cli\u003eBipolar Electrolytic Capacitors\u003c\/li\u003e \u003cli\u003e1% Metal Resistors\u003c\/li\u003e \u003cli\u003eBlue Led Power Indicator\u003c\/li\u003e \u003cli\u003e4 Rubber Feet\u003c\/li\u003e \u003cli\u003eHeat Vents\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n\u003cli\u003eOutput to Line-In to FOH or Stage Monitors.\u003c\/li\u003e \r\n\u003cli\u003eOutput to Line-In on a Recording Console.\u003c\/li\u003e \r\n\u003cli\u003eOutput to Input of Digital Audio Converters.\u003c\/li\u003e \r\n\u003cli\u003eOutput to Power Amplifiers.\u003c\/li\u003e \r\n\u003cli\u003eBalanced, Line-Level +4db Output, which allows for bypass of the typical DI, Microphone Preamplifier and other input stages. \u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404482260,"sku":"888259","price":745.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-mix-factory-16-channel-analog-summing-mixer","title":"A Designs Mix Factory 16-Channel Analog Summing Mixer","description":"\u003cp\u003eA-Designs  Audio,  Inc.  is  proud  to  announce  the  release  of  the  MIX  FACTORY,  a  totally  new  concept  and  approach  to summing out-of-the-box for people who demand more from their current sound and work-flow.\u003c\/p\u003e \r\n\u003cp\u003eThe  MIX  FACTORY  is  not  just  a  summing  unit,  it  delivers  analog  warmth  with  the  depth  and  image  needed  to  make  your mixes stand out from the crowd.The  MIX  FACTORY  is  a   concept   developed   by   Tony   Shepperd   (who   is   known   for   his   high-quality   recordings   ranging   from  Gospel,   R\u0026amp;B   to   Rock),   designed   by   Paul   Wolff   (one   of   the   top   designers   in   the   audio   industry),   and   manufactured   by   A  Designs Audio, Inc. -  (manufacturer of products such as the Pacifica, Ventura, REDDI, Hammer 2 and Nail). Tony   Shepperd   was   one   of   many   modern   engineers   that   felt   that   everything   could   be   done   “IN   THE   BOX.”   But,   he   came   to  realize   that   analog   and   digital   could   live   very   well   together.   By   combining   the   two   -   analog   and   digital   -   to   create   a   Hybrid   -  was   the   special   combination   that   took   his   mixes   to   a   level   that   had   other   recording   engineers   calling   him   for   tips   and  demanding to know how he made his recordings sound so great. The end result, after years of R\u0026amp;D, was the MIX FACTORY.\u003c\/p\u003e \r\n\u003cp\u003eWhat makes the MIX FACTORY special? There   are   16   channels   (which   are   2   D-sub   inputs   summing   to   a   stereo   XLR   out).   All   16   channels   have   a   continuous   Gain  Knob,   Pan   (center   detent),   and   Mute   that   acts   as   a   signal   indicator   with   an   audio   sensitive   LED.   The   LED   indicator   glows  when   signal   is   passing   into   the   channel   and   intensifies   when   the   signal   is   stronger.   The   same   Mute   button   changes   color   to  Red, when used as a mute, to Green when signal is passing through the channel. There   are   (2)   Eight-Channel   groups:   1-8   and   9-16.   Each   group   has   an   Insert   for   a   Compressor   or   EQ.   There   is   also   a  Master Insert for all 16 Channels, along with 3 Mute buttons for each Insert.\u003c\/p\u003e \r\n\u003cp\u003eThe   MIX   FACTORY   has   a   push-button   option   to   go   from   clean   (the   standard   setup   bypassing   the   transformers)   to   tonal,  using   the   custom-made   output   transformers   made   by   Cinemag.  The   difference   between   transformers   and   no   transformers   is  night and day. This gives you an option for analog tone and\/or color.\u003c\/p\u003e \r\n\u003cp\u003eThe MIX FACTORY is also linkable! This means you can have 64 or more channels...it’s like having a console in a rack. And   if   that   isn’t   enough,   there   is   an   external   power   supply   to   insure   a   perfect   sounding   unit   every   time.   This   is   a   switchable  Power   Supply,   which   can   be   used   for   domestic   (US)   120v   and   export   230v.  The   Power   Supply   is   hefty   enough   to   handle   any  needs you may require from the MIX FACTORY. We   understand   there   are   summing   boxes   out   there.   But,   nothing   has   come   close   to   the   MIX   FACTORY   for   providing   you   an  image to your mix that just stands out.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eSolid State Design\u003c\/li\u003e \r\n  \u003cli\u003eCustom Milled Aluminum Knobs\u003c\/li\u003e \r\n  \u003cli\u003eCustom Output Transformers\u003c\/li\u003e \r\n  \u003cli\u003e2RU Rack Space\u003c\/li\u003e \r\n  \u003cli\u003eExternal Power Supply\u003c\/li\u003e \r\n  \u003cli\u003eBalanced XLR Output\u003c\/li\u003e \r\n  \u003cli\u003e16 Gain Controls\u003c\/li\u003e \r\n  \u003cli\u003e2 Master Gain Controls 1-8 and 9-16\u003c\/li\u003e \r\n  \u003cli\u003e1 Grand Master Gain Control\u003c\/li\u003e \r\n  \u003cli\u003e16 Pan Controls\u003c\/li\u003e \r\n  \u003cli\u003eMaster Insert\u003c\/li\u003e \r\n  \u003cli\u003e1-8 Insert\u003c\/li\u003e \r\n  \u003cli\u003e9-16 Insert\u003c\/li\u003e \r\n  \u003cli\u003e16 Mute Switches\u003c\/li\u003e \r\n  \u003cli\u003eTransformer In\/Out Switch\u003c\/li\u003e \r\n  \u003cli\u003e22 Color Changing Switches\u003c\/li\u003e \r\n  \u003cli\u003eLED Array\u003c\/li\u003e \r\n  \u003cli\u003eLinking XLRs for more channels\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404484052,"sku":"1177036","price":2990.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-mp2a-dual-channel-tube-microphone-preamp","title":"A Designs MP2A Dual Channel Tube Microphone Preamp","description":"\u003cp\u003eDesigned to provide the versatility and sonic majesty the discerning professional requires for top-quality recordings, the MP-2A not only offers two tone switches per channel (four distinct sounds), custom transformers, plus polarity (phase) switches in order to treat any sound source as desired, it also gets top marks in works and plays well with others. Meaning, while some preamps can be finicky when it comes to certain mics, the MP-2A welcomes all and sounds great no matter what you put through it; ribbon, dynamic, or condenser. Whether you're looking for clarity and transparency, or the rich, euphonic sound of input tubes driven hard, the MP-2A can give you all that and more.\u003c\/p\u003e \u003cp\u003eEach channel features a -20dB pad; two selectable tone switches for four possible tones on each channel; 60db gain for use with next-generation ribbon mics; and Cinemag input transformers coupled with custom-wound output transformers, delivering the low noise and top-quality sound you demand from a high-end preamp. Additional features include balanced combo XLR\/1\/4\" inputs, true VU meters, phantom power, polarity switches, and front-panel, line-level input jacks.\u003c\/p\u003e \u003cp\u003eBuilt to audiophile-quality standards with a price tag well below other boutique preamps in its class, the MP-2A has no integrated circuits in the signal path—it relies solely on discrete components, namely tubes, film capacitors, and custom transformers. To maintain the integrity and purity of its sonic signature, bells and whistles are kept to a minimum. This serves two purposes: First, the more switches in the circuit path, the more sound quality can be negatively affected. Second, by keeping only necessary features, costs are kept down and your money goes where it really counts: \u003cem\u003esound quality\u003c\/em\u003e.\u003c\/p\u003e \u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cul\u003e \u003cli\u003eAll-tube design\u003c\/li\u003e \u003cli\u003eSelectable tone switches offer four sounds per channel\u003c\/li\u003e \u003cli\u003e60dB gain allows use of next-generation ribbon mics\u003c\/li\u003e \u003cli\u003eEF86 input tubes\/6N1P output tubes\u003c\/li\u003e \u003cli\u003eCinemag input transformers and custom-wound output transformers\u003c\/li\u003e \u003cli\u003eTrue VU meters\u003c\/li\u003e \u003cli\u003eDual level controls\u003c\/li\u003e \u003cli\u003e-20dB pad switch (per channel)\u003c\/li\u003e \u003cli\u003ePolarity switch (per channel)\u003c\/li\u003e \u003cli\u003eToroidal power transformer\u003c\/li\u003e \u003cli\u003eBalanced XLR I\/O and 1\/4\" direct injects\u003c\/li\u003e \u003cli\u003eCustom-milled faceplate, solid vented metal frame (2U rack size)\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cstrong\u003eUnlimited \"Sweetspot\" and Tonal Variation\u003c\/strong\u003e \r\n\u003cp\u003eWith many preamps, you’ll find that they tend to have only one setting where you hear “the magic.” Move past it, and the magic is gone. The problem with a single-setting sweetspot is that you can’t always run the preamp at that setting, since the strength of the input signal will vary from sound source to sound source. Not so with the MP-2A! Thanks to its fixed-gain amplifier with output attenuator, you get consistent behavior (\u003cem\u003ethe\u003c\/em\u003e magic) whether the MP2-A is turned up or down. It also provides polarity switches, which allow you to record a stereo sound source out of phase in order to enhance stereo imaging, or tame overwhelming bass via cancellation. Factor in the tone switches that give you a palette of four unique sonic flavors on each channel, and you can easily see why we say you could make an entire record with just this one incredibly versatile preamp.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404484180,"sku":"62291","price":2595.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-p1-mic-pre-500-series-format-microphone-preamp","title":"A Designs P1 MIC PRE 500 Series Format Microphone Preamp","description":"\u003cp\u003eThe P-1 has the highest fidelity of all the A-Designs Audio 500 preamps, capturing the mojo of its older and larger sibling, the extremely popular Pacifica. It has a big low end, slightly forward midrange and extended highs. If you’re a fan of the Quad Eight or API sound, you’ll love the P-1! It shines on vocals, instruments, room mics, piano, and on instruments with sharp transients such as drums and various percussion instruments. If you’re building a lunchbox with drum recording in mind, a pair of P-1s is a superb choice for overheads when you want to capture the entire kit - especially the sizzle of the cymbals.\u003c\/p\u003e \r\n\u003cp\u003eThe 500 series platform makes it possible to easily construct your own custom signal-processing array by combining a variety of physically compatible electronics modules in all sorts of differently configured power supply mounting frames. It’s an affordable and flexible way to incorporate state of the art and boutique devices into just about any studio, live or broadcast environment.\u003c\/p\u003e \r\n\u003cp\u003eThe A-Designs Audio 500 microphone preamp series is comprised of five 500 series-compatible mic\/line pres, each one meticulously voiced with a specific sonic functionality in mind. These units are physically compatible with any API or VPR Alliance mounting device, and also meet the precise power rating requirements necessary to function perfectly from the moment you plug them in. A basic understanding of electronic components and how their inherent physical qualities affect sound is helpful in selecting the proper module for the right application. Transformers occupy a key position in circuit design due to their ability to affect timbral quality. Apart from the utilitarian task of electronic isolation for noise-free operation, the alloys used for the transformer’s winding - along with the number of windings - will impart a distinct sonic quality: nickel-wound transformers provide a more transparent sound with an airy high end, while steel can impart a thick “Neve-like” midrange or low-end “API growl”…you get the idea. To give each preamp in the A-Designs Audio EM-Series its own unique character, each has custom-wound transformers using proprietary A-Designs alloys that have been painstakingly tested to produce the perfect sound for the right application….but that doesn’t mean that the EM-Series preamps are one-trick ponies - far from it! What it does mean is that decades of collective experience between A-Designs Audio and highly respected audio professionals have taken the guesswork out of finding the right preamp for the job.\u003c\/p\u003e \r\n\u003cp\u003eThink of each of the EM series preamps as the master of a specific domain in the frequency spectrum. For example, the EM-Silver is stunning on the lower frequencies thanks to its steel-wound transformer, making it a perfect choice for bass or kick drum, while the EM-Blue’s nickel transformer provides the clarity needed to bring out the “crack” on snare drums, or to gently coax the highs from ribbon mics.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404484244,"sku":"354060","price":795.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/49175baa80e29a1205f59ddc418c089e.jpg?v=1502894737"},{"product_id":"a-designs-pacifica-dual-channel-microphone-preamp-with-di","title":"A Designs Pacifica Dual Channel Microphone Preamp (with DI)","description":"\u003cp\u003eIn keeping with A-Designs Audio's mission of sound quality above all, the features of the Pacifica are just what an audio professional needs to record high-quality tracks and no more. Sonically compromising extra switches and components of dubious features are eliminated from the signal path. Plus, with 72dB gain and extremely low-noise operation (-128dB EIN) the ribbon mic-friendly Pacifica ensures clarity and fidelity—whether you're going for transparency or plenty of punch and character. Paying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted Pacifica sports a rich, cream-colored finish with solid-feeling, red metal gain knobs; a red +48V phantom-power push button with red LED indicator—both for easy identification if ribbon mics are involved; plus grey push buttons for phase reverse and –20dB pad—all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies.\u003c\/p\u003e \u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cul\u003e \u003cli\u003eTwo-channel, solid state preamp with two front-panel Hi-Z inputs\u003c\/li\u003e \u003cli\u003eCaptures the sound quality of the legendary Quad Eight Pacifica console with even more presence and high-end\u003c\/li\u003e \u003cli\u003eVery warm and full tone without being dark; wide bandwidth with a sweet top end.\u003c\/li\u003e \u003cli\u003eCustom-wound Cinemag input and output transformers\u003c\/li\u003e \u003cli\u003eInput transformer: A-Designs proprietary input transformer with unique winding\u003c\/li\u003e \u003cli\u003eOutput Transformer: A-Designs proprietary alloy using the same massive design as the original Quad Eight.\u003c\/li\u003e \u003cli\u003e72dB of quiet gain, great for use with ribbon mics.\u003c\/li\u003e \u003cli\u003eUnique DI design sends signal through the input transformer for two transformers in the signal path.\u003c\/li\u003e \u003cli\u003eBalanced XLR I\/O\u003c\/li\u003e \u003cli\u003ePhase reversal (each channel)\u003c\/li\u003e \u003cli\u003e-20dB pad (each channel)\u003c\/li\u003e \u003cli\u003e+48V phantom power (each channel)\u003c\/li\u003e \u003cli\u003eSolid construction, handmade in the USA\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003eThe A-Designs Audio Pacifica harkens back to the golden age of recording, when consoles were spec'd out by studio engineers and custom-built to provide a sound like no other. Designed, built, \"ear tested,\" and beta tested by long-time recording industry veterans, the Pacifica takes its sonic cues from the mythic Quad Eight console, a recording desk that easily stood toe-to-toe with API and Neve. However, the A-Designs Pacifica is by no means a vintage reissue: it has a sound and character all its own. Said by top professionals to have the depth of a Neve, the midrange of an API and the high-end of a Massenburg, the Pacifica has quickly established itself as the go-to preamp for numerous Grammy-winning and platinum-selling engineers and producers.\u003c\/p\u003e \r\n\u003cp\u003eIt also has two front-panel Hi-Z instrument inputs, but just like a classic Woodie, it's what's under the Pacifica's hood that gives the DIs a special kick. Unlike other preamps, the Pacifica's DIs are routed through the input transformer, which puts signal through two transformers for added depth and richer tone. And these aren't just any transformers. Key to the Pacifica's sound, they're custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father, Ed, built the transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as those found in the original Quad Eight. Input transformers are pure, proprietary A-Designs.\u003c\/p\u003e \r\n\u003cp\u003eBut transformers don't tell the whole story. Another key factor to the Pacifica's sound is its wide-bandwidth design, which ranges from 9Hz to 101kHz with less than 1% distortion. Along with its custom transformers, the linear response down below 10Hz provides the big, punchy sound that the Pacifica has become famous for. It also provides harmonic content well above the range of human hearing, which reduces in-band phase shift for more realism, along with the added benefit of more harmonic information to work with at mixdown, turning your EQ into a creative tool rather than a corrective one.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404484436,"sku":"62293","price":2095.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-reddi-all-tube-direct-box","title":"A Designs Reddi All Tube Direct Box","description":"\u003cp\u003eDesigned and built by former career studio bassists, the REDDI has been hailed by engineer and bassist alike as the best-sounding DI around. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, its 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer, which is key to providing a harmonically rich tone. Its wide-bandwidth design from 20Hz to 60kHz reduces in-band phase shift, which results in greater detail and realism in the audible spectrum. Another big plus of its wide-bandwidth design is the prevention of LF phase shifts by maintaining a linear response extending below the audible bass range, which is the secret to achieving a big, full sound.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003e All-tube direct box with custom output transformer\u003c\/li\u003e \u003cli\u003eUltra wide frequency range (20Hz-60kHz)\u003c\/li\u003e \u003cli\u003eNeutrik input connector, balanced XLR out, and 1\/4\" thru jack\u003c\/li\u003e \u003cli\u003eInspired by the Ampeg B-15\u003c\/li\u003e \u003cli\u003eClean and airy high end, warmth, transparency, and ultra high-quality sound\u003c\/li\u003e \u003cli\u003eLevel control\u003c\/li\u003e \u003cli\u003eGround lift\u003c\/li\u003e \u003cli\u003eUltra bright blue LED on\/off lamp\u003c\/li\u003e \u003cli\u003eZero-feedback loop design\u003c\/li\u003e \u003cli\u003eMassive, custom-wound transformers\u003c\/li\u003e \u003cli\u003e6NI-P tube\u003c\/li\u003e \u003cli\u003eLow-Z, transformer-balanced output\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003eComplementing its distinctive bright red steel chassis, the A-Designs Audio REDDI has a front-panel Neutrik XLR\/1\/4\" combo input jack, balanced XLR output, and a 1\/4\" thru-put, for those who desire the reassurance of sending signal to a bass amp (before they wind up discarding the miked track and go with the REDDI track alone). There is also a 0-16dB-gain control on the front panel as well. Take note, the REDDI is not a high-gain device. Gain has been carefully designed and controlled in order to avoid the slightest compromise to sound quality. Finishing up the front panel is an extremely bright blue LED power indicator. The exceptional brightness of the LED was intentionally provided for easy visual confirmation that the REDDI is powered on, and also to temporarily blind annoying A+R reps lingering in the control room. On the back panel are toggle switches for power and ground lift, along with the REDDI's IEC power connector.\u003c\/p\u003e \r\n\u003cp\u003eNot just for bass, the REDDI's all-tube circuitry can enhance the character of any instrument run through it; with an airy top end to go with the full, rich mids and bass it also imparts. That's why Grammy-winning producer Ted Perlman (Chicago, Bob Dylan, Burt Bacharach, Elton John) runs all his guitars through the REDDI. And as long as we're on the subject, the ever-increasing list of world-class bassists and engineers who rely on the REDDI includes notable bass players, such as Reggie Hamilton, Justin Meldal-Johnsen, Viktor Krauss, Jamiroquai's Paul Turner, Steve Bailey, Don Boyette, Carlitos del Puerto, and Millard Powers of Counting Crows; along with producer-engineers such as Tony Sheppard, Dylan Dresdow, Ross Hogarth, Billy Bush, Ronan Chris Murphy, and Russ Long.\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404484500,"sku":"57619","price":745.0,"currency_code":"INR","in_stock":true}]},{"product_id":"a-designs-reddi-v2-rack-mount-dual-channel-direct-box","title":"A Designs REDDI V2 Rack Mount Dual Channel Direct Box","description":"\u003cp\u003eThe number of A-Designs REDDIs in use on stages and studios all over the world is nothing short of staggering. Quite simply, there is no better sounding way to convert an instrument, or line level signal, to XLR.The same tone and sound from the REDDI is now available in a dual mono 2RU rack mount version. Designed with the help of top studio engineers and bass players, REDDI-v2 has been widely praised by engineers and musicians all over the world as the best-sounding DI solution on the market today.\u003c\/p\u003e \r\n\u003cp\u003eIt is important to note that the REDDI-v2 is not a high-gain device! Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, the REDDI-v2 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag – a key component to providing a harmonically rich tone. The REDDI-v2's extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. Another major benefit of its wide bandwidth is the prevention of LF phase shift by maintaining a linear response extending below the audible bass range, insuring a full, natural sound.\u003c\/p\u003e \r\n\u003cp\u003eThe REDDI-v2's distinctive bright red steel chassis sports 2 front-panel Neutrik XLR\/1\/4” combo input jacks, 2 balanced XLR outputs, and 2 1\/4” thru-puts, for sending signal to a bass amp – not only useful for live applications, but also for simultaneously recording direct and miked amp tracks in the studio.  A 0-16dB-Level control and a Red LED power indicator complete the front panel controls. The back panel contains a heavy-duty toggle switch for ground lift, along with the IEC power outlet.\u003c\/p\u003e \r\n\u003cp\u003eThe REDDI-v2 all-tube circuitry will enhance the character of any electrified instrument that runs through it -- not just bass -- but stereo keyboards, as well. Plug the pickup of an acoustic guitar through REDDI-v2 to add depth and fullness to its tone.  Capture and improve all the richness and life of an electric piano or analog synthesizer. Warm up sterile sounding digital keyboards or drum machines by strapping a REDDI-v2 across their outputs – for stereo!  The uses are endless.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eAll-tube direct box with custom output transformers.\u003c\/li\u003e \r\n  \u003cli\u003eUltra wide frequency range (20Hz-60kHz).\u003c\/li\u003e \r\n  \u003cli\u003eNeutrik input connectors, balanced XLR out, and 1\/4” thru jack.\u003c\/li\u003e \r\n  \u003cli\u003eInspired by the Ampeg B-15.\u003c\/li\u003e \r\n  \u003cli\u003eClean and airy high end, warmth, transparency, and ultra high-quality sound.\u003c\/li\u003e \r\n  \u003cli\u003eLevel control.\u003c\/li\u003e \r\n  \u003cli\u003eGround lift.\u003c\/li\u003e \r\n  \u003cli\u003eRed on\/off Power Lamp.\u003c\/li\u003e \r\n  \u003cli\u003eZero-feedback loop design.\u003c\/li\u003e \r\n  \u003cli\u003eMassive, custom-wound transformers.\u003c\/li\u003e \r\n  \u003cli\u003e6NI-P tubes.\u003c\/li\u003e \r\n  \u003cli\u003eLow-Z, transformer-balanced output.\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":48404485396,"sku":"955165","price":1195.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/47f46f02e2190d136b347f09663e954f.jpg?v=1502898088"},{"product_id":"a-designs-ventura-single-channel-microphone-preamp-with-eq-and-di","title":"A Designs Ventura Single Channel Microphone Preamp (with EQ and DI)","description":"\u003cp\u003eThe Ventura from A-Designs is inspired by the great Quad Eight consoles. Run at optimal levels, its' signal is clear and ultra transparent, with all the dimensionality, air, and extended bass you expect from high-quality analog. Push it a little harder and the Ventura's custom-wound, ear-tested transformer responds with a more aggressive sound while still retaining the utmost clarity. To add its own special mojo, it features a 3-band EQ reminiscent of console EQs from the golden age of recording. And even if you’re one of those engineers who religiously avoid using equalization while tracking, you'll find yourself looking for excuses to use this EQ, especially if you need midrange punch without harshness on guitars or snare. Plus, the Ventura’s EQ can be accessed via its own insert for sweetening tracks during mixdown. The Ventura also has a high-impedance instrument DI built to enhance the performance guitar and bass pickups.\u003c\/p\u003e \u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cul\u003e \u003cli\u003eUltra transparent, solid-state mic preamplifier with 72db gain; instrument DI; and true, 3-band parametric EQ with high-and low-pass filters\u003c\/li\u003e \u003cli\u003eMic preamp, EQ, and DI can be used together or independently\u003c\/li\u003e \u003cli\u003eThree specially designed discrete C12X operational amplifiers\u003c\/li\u003e \u003cli\u003eJensen input transformer and custom Cinemag output transformers\u003c\/li\u003e \u003cli\u003eToroidal power transformer\u003c\/li\u003e \u003cli\u003eBalanced TRS insert return\/EQ input\u003c\/li\u003e \u003cli\u003eSeparate gain controls for mic and instrument inputs\u003c\/li\u003e \u003cli\u003e-20dB pad, +48VDC phantom power with red LED indicator, phase switch, and on\/off switch with blue LED indicator\u003c\/li\u003e \u003cli\u003eBalanced gold Neutrik XLR input, direct, and main output connectors\u003c\/li\u003e \u003cli\u003eSilver-contact, high-durability toggle switches with no relays\u003c\/li\u003e \u003cli\u003eHand-built in the USA with audiophile-quality components including high-tolerance metal film resistors and high-quality polystyrene, polypropylene, COG, and bi-polar capacitors\u003c\/li\u003e \u003cli\u003eSingle rackspace steel chassis\u003c\/li\u003e \u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cstrong\u003eThe C12X Discrete Transistor Op Amp\u003c\/strong\u003e \r\n\u003cp\u003eThe heart of the Ventura and source of its ultra transparent audio is the C12X, a discrete transistor operational amplifier designed by Carl Johnson. Operating on +\/-30VDC rails, the C12X is a high-gain, fast-slew, stable audio block with virtually no DC offset over the audio spectrum. Plus, it's capable of driving a 50-ohm load at 50Hz with very little current draw. It's used in the microphone preamp, instrument input amp, and main output\/EQ output stages. The mic preamp itself is a single-stage, transformer-coupled design with balanced I\/O. It includes phase reverse, -20 dB pad, +48V phantom power with LED indicator, and conductive plastic gain control pot. The preamp section feeds both the EQ section and a preamp output mult simultaneously.\u003c\/p\u003e \r\n\u003cstrong\u003eTrue Three-Band Parametric EQ\u003c\/strong\u003e \r\n\u003cp\u003eThe Ventura's three-band parametric equalizer is also a unique design featuring 33 frequencies with three bands of overlapping ranges from 50Hz to 15KHz. Both the frequency selection and the +\/-12 dB boost\/cut controls are stepped for precise, repeatable settings. Each band has a Q switch with three fixed positions: Sharp, Wide, and Narrow. The low and high bands are peak\/dip, but flipping the shelf switch changes their characteristic to shelf type. The shelving switch disables the Q feature on high and low bands only. When in the up position, the high\/low filters insert the fixed 12dB\/octave high- and low-cut filters, which work whether the EQ is in or out. And finally, the equalizer's input\/insert return provides direct input to the EQ, bypassing both the mic pre and instrument input.\u003c\/p\u003e \r\n\u003cstrong\u003eGuitar\/Bass Pickup-Friendly D.I.\u003c\/strong\u003e \r\n\u003cp\u003eSeparate from the mic pre, the instrument DI is a single-stage, single-ended, high-impedance preamp that also benefits from the C12X. Designed specifically to counteract the negative effects of guitar\/bass-pickup loading, it includes a front-panel 1\/4? jack and gain pot. 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You can even loop or time stretch clips directly from the multitrack timeline.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eProcessing Tools\u003c\/strong\u003e\u003cbr\u003e \r\n  High quality audio tools and effects are integrated such as dynamic processing, limiter, equalizing, reverb, convolution reverb, chorus and flanger. You can also modify tempo and key of your recordings independently using the superb quality time stretching and transpose tools.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eEffect Chains and Plug-In Support\u003c\/strong\u003e\u003cbr\u003e \r\n  You can create complete chains of processing tools, including external plug-ins, and save them along with all the parameter settings for later use. VST and DirectX plug-in support allows you to access a vast number of both free and commercial third party audio processing plug-ins directly from Acoustica.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eAnalysis Tools\u003c\/strong\u003e\u003cbr\u003e \r\n  Powerful offline analysis tools are available, including spectrum, spectrogram and wavelet analysis. Real-time analyzers such as K-System level meters, phase correlation meters and spectrum analyzers allow you to monitor your audio output visually in real time during playback.\u003c\/p\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404487316,"sku":"1155626","price":59.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/1025273510807863f2b160e3dadccb06.jpg?v=1502897545"},{"product_id":"acon-digital-defilter-audio-enhancement-plugin-vst-au-aax","title":"Acon Digital DeFilter Audio Enhancement Plugin (VST\/AU\/AAX)","description":"\u003cp\u003eDeFilter is an efficient tool to even out tonal imbalances in a recording or reduce resonant peaks or dips in the frequency spectrum. Even severe issues such as comb filter effects or standing waves from untreated rooms can be addressed. DeFilter can match recordings to target profiles such as music or speech, or alternatively extract the overall timbre from the source – the large strokes – while evening out narrow peaks and dips. The latter removes resonances and comb filter effects effectively while preserving the tonal character of the input signal. Recordings can also be equalized to match a reference recording.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eAutomatically estimates correction filter that evens out the frequency spectrum\u003c\/li\u003e \r\n  \u003cli\u003eRemoves resonances and comb filter effects\u003c\/li\u003e \r\n  \u003cli\u003ePredefined target profiles include music, speech and an automatic mode that extracts timbre from the input signal\u003c\/li\u003e \r\n  \u003cli\u003eCorrection filters can be saved and used as a reference for matched equalization\u003c\/li\u003e \r\n  \u003cli\u003eAdjustable length of the correction filter from 1 to 20 milliseconds\u003c\/li\u003e \r\n  \u003cli\u003eFrequency spectrum representation of the of the following signals: \r\n    \u003cul\u003e \r\n      \u003cli\u003eCorrection filter\u003c\/li\u003e \r\n      \u003cli\u003eInput signal\u003c\/li\u003e \r\n      \u003cli\u003eOutput signal\u003c\/li\u003e \r\n    \u003c\/ul\u003e \r\n  \u003c\/li\u003e \r\n  \u003cli\u003eFrequency emphasis filter for the the level of correction\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003eGreat care has been taken to provide a user interface that is straightforward to use. Frequency dependent correction levels can be defined using custom curves, so that DeFilter can focus on problematic frequency ranges while leaving other frequency regions untouched. Realtime spectrum analyzers for both the input and output signals visualize the effect on the frequency spectrum.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eUse Cases\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eFix issues in a mix prior to mastering\u003c\/li\u003e \r\n  \u003cli\u003eReduce resonances caused by untreated room acoustics\u003c\/li\u003e \r\n  \u003cli\u003eMatched equalization (automatic equalization based on a reference signal)\u003c\/li\u003e \r\n  \u003cli\u003eImprove clarity and intelligibility of speech\u003c\/li\u003e \r\n  \u003cli\u003eInstant fix for nasty comb filter effects\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003eAcon Digital DeFilter is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, AAX and Audio Units (OS X only) are supported.\u003c\/p\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404488148,"sku":"1155627","price":99.0,"currency_code":"INR","in_stock":false}]},{"product_id":"acon-digital-deverberate-reverb-reduction-plugin-vst-au-aax","title":"Acon Digital DeVerberate Reverb Reduction Plugin (VST\/AU\/AAX)","description":"\u003cp\u003eThe balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DeVerberate is a reverb reduction plug-in that can attenuate or boost the reverberation that is already present in recorded material. The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eSeparate adjustments of the direct sound and the reverberation levels\u003c\/li\u003e   \u003cli\u003eManual adjustment of the decay time of the original reverberation\u003c\/li\u003e   \u003cli\u003eFrequency spectrum representation of the of the following signals:     \u003cul\u003e       \u003cli\u003eInput signal\u003c\/li\u003e       \u003cli\u003eOutput signal\u003c\/li\u003e       \u003cli\u003eEstimated reverberation\u003c\/li\u003e     \u003c\/ul\u003e   \u003c\/li\u003e   \u003cli\u003eFrequency emphasis filter for the the reduction level     \u003cul\u003e       \u003cli\u003eHigh and low shelving filters with variable slopes (-3 to -96 dB \/ octave)\u003c\/li\u003e       \u003cli\u003eHigh and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves)\u003c\/li\u003e       \u003cli\u003eGraphical representation of frequency response\u003c\/li\u003e       \u003cli\u003eEditing of filter settings through handles in the frequency response curve\u003c\/li\u003e     \u003c\/ul\u003e   \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eApplication Examples:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eAttenuate reverberation in existing recordings\u003c\/li\u003e   \u003cli\u003eChange the perceived distance in a mix by changing the balance between the direct sound and the reverberation\u003c\/li\u003e   \u003cli\u003eImprove dialog and location sound\u003c\/li\u003e   \u003cli\u003eForensic specialists can improve speech intelligibility\u003c\/li\u003e   \u003cli\u003eBoost the natural reverberation in existing recordings\u003c\/li\u003e \u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404488916,"sku":"1155628","price":99.0,"currency_code":"INR","in_stock":false}]},{"product_id":"acon-digital-equalize-12-band-parametric-eq-plugin-vst-au-aax","title":"Acon Digital Equalize 12-Band Parametric EQ Plugin (VST\/AU\/AAX)","description":"\u003cp\u003eAcon Digital Equalize is a parametric equalizer plug-in that combines unique features with excellent workflow and an intuitive user interface. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. Needless to say, you can operate Equalize as a zero latency plug-in when using the minimum phase mode or choose to preserve the phase relationships in the linear phase mode. Equalize goes one step further, though, and introduces the unique mixed phase mode that allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering. Latency values below 20 milliseconds ensure that any pre-ringing is masked by the temporal masking of the human hearing while preserving the time-alignment across the audible frequency range.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eUp to twelve equalizer bands\u003c\/li\u003e \r\n  \u003cli\u003eSix different filter types (low cut, low shelf, peak, notch, high shelf and high cut)\u003c\/li\u003e \r\n  \u003cli\u003eBand frequency, gain, bandwidth, resonance and filter slope is freely adjustable for each band\u003c\/li\u003e \r\n  \u003cli\u003eThree different filter modes, minimum phase, linear phase or the novel mixed phase\u003c\/li\u003e \r\n  \u003cli\u003eAdjustable latency and pre-ringing time in mixed phase mode\u003c\/li\u003e \r\n  \u003cli\u003eZero latency in minimum phase mode\u003c\/li\u003e \r\n  \u003cli\u003eChannel mode (mid, side, left, right or full processing) can be set independently for each band\u003c\/li\u003e \r\n  \u003cli\u003eMultiple selection of bands\u003c\/li\u003e \r\n  \u003cli\u003eResizable graphical user interface\u003c\/li\u003e \r\n  \u003cli\u003eSolo and bypass modes\u003c\/li\u003e \r\n  \u003cli\u003eOptional automatic make-up gain\u003c\/li\u003e \r\n  \u003cli\u003eOptional gain to bandwidth linking\u003c\/li\u003e \r\n  \u003cli\u003eTwo spectrum analyzers that can analyze the input or output signal from the mid, side, left or right channel\u003c\/li\u003e \r\n  \u003cli\u003eGraphical visualization of the equalizer frequency response\u003c\/li\u003e \r\n  \u003cli\u003ePreset manager and a large number of factory presets\u003c\/li\u003e \r\n  \u003cli\u003eSave, load and categorize user presets\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003eGreat care has been taken to provide a user interface that is straight forward to use. Band parameters can be adjusted using handles directly in the graphical representation of the frequency response, including bandwidths and filter slopes. A flexible real-time analyzer lets you monitor every aspect of the processing. You can easily switch between full, mid, side, left or right channel processing for each band and Equalize automatically routes the audio signal internally to ensure the best results and lowest possible latency.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eUp to twelve independent bands\u003c\/li\u003e \r\n  \u003cli\u003eFreely adjustable gain, frequency, bandwidth, resonance and filter slope\u003c\/li\u003e \r\n  \u003cli\u003eThree different phase modes, including the novel mixed phase mode\u003c\/li\u003e \r\n  \u003cli\u003eChoose channel mode for each band independently (mid, side, left, right or full processing)\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003eAcon Digital Equalize is available for both Windows (PC) and OS X (Macintosh). Both 32 and 64 bit versions are available, and the plug-in formats VST, VST3, AAX and Audio Units (OS X only) are supported.\u003c\/p\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404489748,"sku":"1155629","price":99.0,"currency_code":"INR","in_stock":false}]},{"product_id":"acon-digital-restoration-suite-audio-plugin-toolkit-vst-au-aax","title":"Acon Digital Restoration Suite Audio Plugin Toolkit (VST\/AU\/AAX)","description":"\u003cp\u003eAcon Digital Restoration Suite consists of four audio restoration and noise reduction plug-ins that are the result of several years of research within the field of noise reduction and audio restoration algorithms:\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eDeNoise is a plug-in designed to reduce stationary noise, such as broadband noise, hiss, wind noise, buzz and camera noise. Great efforts have been put into preserving as much of the original signal as possible during the noise reduction process. As a result, DeNoise can reduce or in many cases completely remove the noise in a very transparent manner without loss of transients, attacks or “air” in the recording.\u003c\/li\u003e   \u003cli\u003eDeHum targets hum and buzz typically introduced by poorly grounded electrical equipment, but also other tonal noise sources like electrical motor noise.\u003c\/li\u003e   \u003cli\u003eDeClick is designed to remove impulsive noise such as clicks, crackle, plosives and thumps. These distortions are frequently encountered on LP and 78 RPM records, but also occur in digital recordings when recording voice without pop shield or due to drop-outs or distorted data packets.\u003c\/li\u003e   \u003cli\u003eDeClip restores audio recordings distorted by analog or digital clipping.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eAcon Digital Restoration Suite is available in 32 and 64 bit versions, as VST or AAX for both Windows and OS X or as AU plug-ins for OS X.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAcon Digital DeNoise\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eAdvanced algorithms reduce stationary noise efficiently with minimal impact on the wanted material\u003c\/li\u003e   \u003cli\u003eTransient detection ensures that transients remain untouched throughout the noise reduction process\u003c\/li\u003e   \u003cli\u003eEffective temporal smoothing reduces “musical noise” artifacts\u003c\/li\u003e   \u003cli\u003eAdaptive estimation of noise profile or estimation based on noise only\u003c\/li\u003e   \u003cli\u003eTarget broadband and tonal noise or optionally broadband only\u003c\/li\u003e   \u003cli\u003eGraphical representation of input frequency spectrum and the noise profile\u003c\/li\u003e   \u003cli\u003eFrequency emphasis filter     \u003cul\u003e       \u003cli\u003eHigh and low shelving filters with variable slopes (-3 to -96 dB \/ octave)\u003c\/li\u003e       \u003cli\u003eHigh and low peak filters with adjustable bandwidth (0.1 to 3.0 octaves)\u003c\/li\u003e       \u003cli\u003eGraphical representation of frequency response\u003c\/li\u003e       \u003cli\u003eEditing of filter settings through handles in the frequency response curve\u003c\/li\u003e     \u003c\/ul\u003e   \u003c\/li\u003e   \u003cli\u003eResidual signal mode allows you to listen to the removed signal\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eAcon Digital DeHum\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eRemove hum and buzz with minimal loss of the wanted signal\u003c\/li\u003e   \u003cli\u003eNovel sinusoidal re-synthesis algorithm (preserves wanted signal to a much larger extent) or conventional notch filter mode\u003c\/li\u003e   \u003cli\u003eAdaptive mode allows removal of hum signals with a fluctuating fundamental frequency\u003c\/li\u003e   \u003cli\u003eAutomatically removes up to 16 harmonics\u003c\/li\u003e   \u003cli\u003eOptionally to targets only odd harmonics\u003c\/li\u003e   \u003cli\u003eHigh resolution spectrum analysis of the input signal\u003c\/li\u003e   \u003cli\u003eVisual indication of the estimated fundamental frequency as well as the harmonics\u003c\/li\u003e   \u003cli\u003eResidual signal mode allows you to listen to the removed signal\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eAcon Digital DeClick\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eSeperate detection and restoration of clicks, crackle and plosives\u003c\/li\u003e   \u003cli\u003eVery accurate detection of click start time and duration ensures minimal impact on the wanted material\u003c\/li\u003e   \u003cli\u003eVisual curve meters show the clicks and crackle removal rates\u003c\/li\u003e   \u003cli\u003eResidual signal mode allows you to listen to the removed signal\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eAcon Digital DeClip\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eReconstructs peaks distorted by analog or digital clipping\u003c\/li\u003e   \u003cli\u003eSeparately adjustable upper and lower threshold values\u003c\/li\u003e   \u003cli\u003eOptional upper and lower threshold lock simplifies the workflow in the case of symmetrical clipping\u003c\/li\u003e   \u003cli\u003eGraphical representation of the input and output level histograms makes it easy to set the threshold values and monitor the restoration process visually\u003c\/li\u003e   \u003cli\u003eThreshold values can be adjusted directly from the level histograms by dragging upper and lower threshold handles\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404490516,"sku":"1155630","price":99.0,"currency_code":"INR","in_stock":false}]},{"product_id":"acon-digital-verberate-algorithmic-reverb-plugin-vst-au-aax","title":"Acon Digital Verberate Algorithmic Reverb Plugin (VST\/AU\/AAX)","description":"\u003cp\u003eAcon Digital Verberate is an algorithmic reverb plug-in that simulates real acoustical surroundings with a new degree of realism. Several conventional building blocks in traditional digital reverb design have been replaced by novel methods that allow Verberate to produce convincing early reflections and the dense reverberation tails that characterize impulse response measurements of real acoustical spaces. The result is a clean, unobtrusive sonic quality and a reverb that blends seamlessly into a mix. This is the reverb for those who like clean and realistic reverbs like convolution reverbs, but are in need of more flexibility and tweaking possibilities without sacrificing realism.\u003c\/p\u003e \u003cp\u003eA large catalog of factory presets along with a clear and to-the-point graphical user interface simplifies the search for the sound you have in mind. As with all Acon Digital plug-ins, functionality and audio quality are the top priorities.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eIndependent early reflections and reverberation tail processors\u003c\/li\u003e   \u003cli\u003eTrue stereo processing\u003c\/li\u003e   \u003cli\u003eRealistic early reflections that blend into the mix without unpleasant comb filter effects\u003c\/li\u003e   \u003cli\u003eVery dense late reverberation tails with little coloration due to proprietary methods\u003c\/li\u003e   \u003cli\u003eUncluttered user interface\u003c\/li\u003e   \u003cli\u003eGraphical visualization of equalizer frequency response and frequency dependent reverberation times\u003c\/li\u003e   \u003cli\u003ePreset manager and a large number of factory presets\u003c\/li\u003e   \u003cli\u003eSave, load and categorize user presets\u003c\/li\u003e \u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404491348,"sku":"1155631","price":99.0,"currency_code":"INR","in_stock":false}]},{"product_id":"acon-digital-verberate-surround-algorithmic-reverb-plugin-vst-au-aax","title":"Acon Digital Verberate Surround Algorithmic Reverb Plugin (VST\/AU\/AAX)","description":"\u003cp\u003eAcon Digital Verberate Surround is a surround capable edition of Verberate, a plug-in that simulates real acoustical surroundings with a new degree of realism. Verberate Surround supports all common surround formats, including quadraphonic audio, 5.1 and 7.1 surround. Dense and realistic early reflections are simulated independently for each input to output channel pair. The late reverberation network uses up to four channels in a quadraphonic setup to simulate energy fluctuations on both the left to right and the front to back axis. Proprietary and novel methods ensure that all output channels are uncorrelated.\u003c\/p\u003e \u003cp\u003eVerberate Surround share the clean and unobtrusive sonic quality that has quickly made Verberate popular and blends just as seamlessly into your audio material. Verberate Surround is the perfect choice if you are working with surround audio and like the clean and realistic quality of convolution reverbs, but are in need of more flexibility and tweaking possibilities without sacrificing realism.\u003c\/p\u003e \u003cp\u003eA large catalog of factory presets is included and a clear and to-the-point graphical user interface hides the internal complexity of the plug-in. Graphical representations of the parameter settings simplify the search for a desired sonic quality, such as the output equalizer frequency response curve or the curve showing frequency dependent reverberation times. As with all Acon Digital plug-ins, functionality and audio quality are the top priorities.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e   \u003cli\u003eSupport for all common channel formats up to 7.1 surround\u003c\/li\u003e   \u003cli\u003eHighly realistic simulation of real acoustical spaces\u003c\/li\u003e   \u003cli\u003eSeparate early reflections for each input to output channel pair\u003c\/li\u003e   \u003cli\u003eQuadraphonic processing of late reverberation that simulates energy fluctuations in the room\u003c\/li\u003e   \u003cli\u003eCompletely uncorrelated output channels (when the stereo spread parameter is set to 100%)\u003c\/li\u003e   \u003cli\u003eUncluttered user interface\u003c\/li\u003e   \u003cli\u003eSensible set of parameters\u003c\/li\u003e \u003c\/ul\u003e","brand":"Acon Digital","offers":[{"title":"Default Title","offer_id":48404491412,"sku":"1155632","price":199.0,"currency_code":"INR","in_stock":false}]},{"product_id":"acoustic-magic-voice-tracker-i-desktop-array-microphone","title":"Acoustic Magic Voice Tracker I Desktop Array Microphone","description":"\u003cp\u003eThe Voice Tracker™ I Array Microphone was the original implementation of Acoustic Magic's patented, automatically and electronically steering, “listening beam” technology. It has been in production since 2002, and has proven to be extremely rugged and reliable.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eAutomatic electronic steering of “listening beam” to talker location\u003c\/li\u003e \r\n  \u003cli\u003eSelectable steering limits (90 degrees and 180 degrees) for speech recognition and Meeting recording modes\u003c\/li\u003e \r\n  \u003cli\u003eSelectable LDS™ to reduce annoying interference of additional talkers during speech recognition or feedback during teleconferencing\u003c\/li\u003e \r\n  \u003cli\u003eTwo stage noise reduction (spatial filtering and noise reduction processing)\u003c\/li\u003e \r\n  \u003cli\u003e8 element, 18 inch long array for maximum range\u003c\/li\u003e \r\n  \u003cli\u003e5 element “in range” light to indicate location of chosen talker and sufficiency of signal\u003c\/li\u003e \r\n  \u003cli\u003eMicrophone tilt capability to facilitate desktop, monitor top, ceiling, or wall mounting\u003c\/li\u003e \r\n  \u003cli\u003eWeight: 1.5 pounds(excluding wall power supply)\u003c\/li\u003e \r\n  \u003cli\u003ePower: converter from 120V AC to 6V DC included\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cbr\u003e \r\nThe Voice Tracker™ I Array Microphone was designed with two objectives. The first was to provide coverage throughout a large room for recording or conferencing applications to eliminate the need for multiple microphone\/mixer setups, which require expert installation and are expensive. The second was to provide high quality audio for automatic speech recognition without the encumbrance of wearing a head set mic or holding a handheld mic.\u003c\/p\u003e \r\n\u003cp\u003ePick up over an entire room is accomplished in two ways. First, sensitivity was increased compared to conventional microphones by constructively adding the output of eight separate always on microphone elements. Second, spatial filtering and background noise reduction are used to eliminate sound from all areas in the room except that space around the active talker, so the increased sensitivity is not corrupted by noise.\u003c\/p\u003e \r\n\u003cp\u003eAs a consequence, the Voice Tracker™ I Array Microphone can pick up talkers at ranges of 30+ feet in meeting\/classroom recording or conventional conferencing applications. It can work effectively for command control automatic speech recognition application at the same distances, and full vocabulary ASR at ranges of a few feet.\u003c\/p\u003e \r\n\u003cp\u003eThe Voice Tracker™ I Array Microphone has an analog audio output at mic level, and is powered by a wall power converter so there is no risk of loss of performance as batteries run out. A USB adapter is an available option for use with MACs, and laptops with low performance sound cards.\u003c\/p\u003e \r\n\u003cp\u003eThe Voice Tracker™ I Array Microphone has a built in ceiling mount capability, which removes the clutter of mics on the conference table.\u003c\/p\u003e \r\n\u003cp\u003eThe Voice Tracker™ I Array Microphone can be used in conventional and VoIP conferencing systems that have robust acoustical echo cancellation (AEC). For systems that don't, the Voice Tracker™ II Array Microphone was designed for use with VoIP conferencing systems that need the AEC built in to the microphone itself.\u003c\/p\u003e","brand":"Acoustic Magic","offers":[{"title":"Default Title","offer_id":48404491988,"sku":"1205976","price":243.1,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1203\/4576\/products\/69cae53a10f3a76f98c46da2fd467be6.jpg?v=1502896083"},{"product_id":"acoustic-magic-voice-tracker-ii-desktop-array-microphone","title":"Acoustic Magic Voice Tracker II Desktop Array Microphone","description":"\u003cp\u003eSince the Voice Tracker™ array microphone can pick up talker throughout the entire room, it has often been used for conferencing applications. It became clear from customer feedback that incorporation of a high-quality acoustic echo cancellation (AEC) algorithm would broaden the Voice Tracker’s application by enabling full duplex VoIP based conferencing at a fraction of the cost of conventional conferencing systems.\u003c\/p\u003e \r\n\u003cp\u003eA crucial audio requirement for conferencing is the elimination of acoustic echo (sound from the far end talker picked up by the open mic and sent back). The Voice Tracker™ II Array Microphone’s internal AEC algorithm provides performance that rivals or exceeds that of AEC boxes costing several thousand dollars. Connect the Voice Tracker™ II Array Microphone to your PC based VoIP software and eliminate the need to use headphones; all the near end talkers will be heard, even if they talk softly or are far away from the mic, and the far end talker will hear no echo.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eAutomatic electronic steering of “listening beam” to talker location\u003c\/li\u003e \r\n  \u003cli\u003eTwo stage noise reduction (spatial filtering and noise reduction processing)\u003c\/li\u003e \r\n  \u003cli\u003eBuilt in High Quality Acoustic Echo Cancellation.\u003c\/li\u003e \r\n  \u003cli\u003e6 element, 10 inch long mic array for long range\u003c\/li\u003e \r\n  \u003cli\u003eMute Mode\u003c\/li\u003e \r\n  \u003cli\u003e5 element “in range” light to indicate location of chosen talker and sufficiency of signal\u003c\/li\u003e \r\n  \u003cli\u003eTalker location signal thru DB 9 jack (cable optional)\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cbr\u003e \r\n\u003cp\u003e\u003cstrong\u003eAudio Spectrums for AEC\u003c\/strong\u003e\u003cbr\u003e \r\nAcoustic Echo occurs when an open mic picks up a far end talker (from the loudspeaker) and sends it back to the far end talker (as an echo). In the above charts, the bottom chart shows the audio from near end and far end talkers transmitted by the Voice Tracker™ II with acoustic echo cancellation off. The top chart shows a similar audio transmission with the AEC turned on.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eImproved Portability\u003c\/strong\u003e\u003cbr\u003e \r\nThe Voice Tracker™ II is significantly smaller than the Voice Tracker™ I. The Voice Tracker™ II’s primary audio output is USB and it is powered by its USB connection, eliminating the need to be connected to wall power. Not only does this remove the need to carry the wall power converter, it eliminates the need to have different wall power converters for different countries.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eTalker Location Signal\u003c\/strong\u003e\u003cbr\u003e \r\nSince the Voice Tracker™ automatically and electronically steers a listening beam to the active talker, it knows the location of the talker. In the Voice Tracker™ II this information is made available outside the DSP as a RS 232 serial word through a DB-9 Jack. A sophisticated customer can use this information to point a camera, or turn the head of a robot toward the talker. Note that Acoustic Magic does not provide any algorithms for the use of the location information.\u003c\/p\u003e","brand":"Acoustic Magic","offers":[{"title":"Default Title","offer_id":48404492372,"sku":"917409","price":342.1,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a3x-2-way-active-nearfield-studio-monitor-single","title":"ADAM Audio A3X 2-Way Active Nearfield Studio Monitor (Single)","description":"\u003cp\u003eParticularly interesting for the quality-conscious user on a tight budget is the most compact monitor of the AX-Series, the A3X. Specially designed for studio environments with limited space, the A3X easily meets professional requirements. Three-dimensional spatial representation, a controlled, deep bass response and accurate sound reproduction, especially in the critical areas between 200 and 400 Hz, make it the first choice for smaller, even mobile studio setups.\u003c\/p\u003e \r\n\u003cp\u003eWith the A3X, analytical listening is possible without taking away musical enjoyment. Its excellent transient response and ability to easily play very dynamic tracks in all musical genres let it clearly stand out from comparable monitors in this price range.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eThe smallest big sound ever...\u003c\/strong\u003e\u003cbr\u003e  \r\n \r\nWith the A3X, ADAM Audio present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldn’t be constricted. The A3X combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies, a guarantee for crystal clear music reproduction. A 4.5” (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. Two built-in 25 Watt amplifiers powers each of the drivers directly.\u003c\/p\u003e  \r\n \r\n\u003cp\u003e\u003cstrong\u003eStereolink\u003c\/strong\u003e\u003cbr\u003e  \r\n \r\nA very handy and exclusive technology found in the two smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects two A3X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speaker’s gain control. This makes the A3X a natural for “mixer-less” desktop applications where overall system volume needs to be adjusted easily.\u003c\/p\u003e  \r\n \r\n\u003cp\u003e\u003cstrong\u003eDesktop Stand\u003c\/strong\u003e\u003cbr\u003e  \r\n \r\n ADAM Audio also offers desktop stands that have been specifically designed to optimize the acoustics of the A3X when used in desktop applications and alike. The stands minimize reflections from the desktop and maximize the amount of direct sound.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eX-ART tweeter\u003c\/li\u003e \r\n  \u003cli\u003e4.5” carbon fiber midwoofer\u003c\/li\u003e \r\n  \u003cli\u003e2 x 25W amplification\u003c\/li\u003e \r\n  \u003cli\u003eOn-\/off-switch and volume gain on the front panel\u003c\/li\u003e \r\n  \u003cli\u003eStereo link allows connection to another A3X\u003c\/li\u003e \r\n  \u003cli\u003eTweeter gain on the rear panel\u003c\/li\u003e \r\n  \u003cli\u003e60Hz - 50kHz frequency response\u003c\/li\u003e \r\n  \u003cli\u003eXLR \u0026amp; RCA connectors\u003c\/li\u003e \r\n  \u003cli\u003e106dB max peak SPL per pair\u003c\/li\u003e \r\n  \u003cli\u003e5 year warranty\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404492884,"sku":"363139","price":349.99,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a3x-and-sub-7-studio-monitor-bundle","title":"ADAM Audio A3x and Sub 7 Studio Monitor Bundle","description":"\u003cp\u003eAdam Audio is a global leader in accurate monitoring for mixing. In studios large and small, mixing is only part of the story. While tracking and auditioning performances, the EMOTION created by extended bottom end AND huge SPL can make the di erence between loving the take or beating it to death. The A3X\/Sub7 bundle brings EMOTION to desktop monitoring now at a $200 discount (for a limited time).\u003c\/p\u003e \r\n\u003cp\u003eSpecially designed for studio environments with limited space, the A3X easily meets professional requirements. Three-dimensional spatial representation, a controlled, deep bass response and accurate sound reproduction, especially in the critical areas between 200 and 400 Hz, make it the first choice for smaller, even mobile studio setups. With the A3X, analytical listening is possible without taking away musical enjoyment. Its excellent transient response and ability to easily play very dynamic tracks in all musical genres let it clearly stand out from comparable monitors in this price range.\u003c\/p\u003e \r\n\u003cp\u003eThe Sub7 has been designed to complement smaller monitors such as the AX-Series. Its small footprint allows for easy placement, even in small environments. The included remote control facilitates volume changes or crossover frequency adjustments from your favorite listening position.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404493012,"sku":"1001240","price":1199.97,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a3x-desktop-stands-black-pair","title":"ADAM Audio A3X Desktop Stands (Black\/Pair)","description":"\u003cp\u003eThe A3X Stands from Adam Professional Audio provide a convenient base for the A3X studio monitor speakers. Each stand supports a speaker, and angles it upward, allowing you to place the speaker on a table or desktop while still maintaining a good listening angle. The stands also decouple the speakers from the table to prevent vibrations and reflections.\u003c\/p\u003e Features: \u003cul\u003e \u003cli\u003eAngles the monitors upwards towards your ears for better listening\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eDecouples monitors from the table to minimize vibrations and reflections\u003cbr\u003e \u003c\/li\u003e \u003c\/ul\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404493076,"sku":"363143","price":75.0,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a3x-desktop-stands-white-pair","title":"ADAM Audio A3X Desktop Stands (White\/Pair)","description":"\u003cp\u003eFor desktop use suitable stands are available from ADAM Audio that are designed to enhance the acoustic setup of the following models: F5, A3X, A5X, ARTist 3 and ARTist 5. These stands align the tweeters to ear level, minimize direct desk surface reflectlions and by doing this, optimize the amount of primary sound. Non-slip rubber coatings on both the set-up area and underneath the stand ensure solid foothold and acoustic decoupling of the speaker.\u003c\/p\u003e \r\n\u003cp\u003eThe desktop stands are available in black or white. Material: coated MDF.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404493972,"sku":"942341","price":75.0,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a5x-2-way-active-nearfield-studio-monitor-single","title":"ADAM Audio A5X 2-Way Active Nearfield Studio Monitor (Single)","description":"\u003cp\u003eThe A5X is a professional studio monitor from ADAM's AX-Series. Its open, powerful sound and compact design make it a popular choice for the studio and your home. All models of the AX-Series are equipped with ADAM‘s proprietary X-ART tweeter. The A5X also houses a 5.5\" bass \/ midrange woofer. Each driver is powered by it's own 50 Watt PWM amplifier, giving you a clear picture of your mix and making the smallest adjustments audible. It also features dual bass ports, to help extend the low end. The A5X is not fatiguing to the ear, even with it's clarity.\u003c\/p\u003e \r\n\u003cp\u003eThe unique Stereolink connectors allow for two A5Xs to be linked together. By turning the gain knob on either speaker, you adjust the volume of both speakers in the stereo pair.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eUses X-ART tweeter\u003c\/li\u003e \r\n  \u003cli\u003e5.5” carbon \/ rohacell \/ glass fiber-midwoofer\u003c\/li\u003e \r\n  \u003cli\u003eSeperate 50W amp for both drivers\u003c\/li\u003e \r\n  \u003cli\u003eDual bass ports\u003c\/li\u003e \r\n  \u003cli\u003eVolume gain and on \/ off switch on the front panel\u003c\/li\u003e \r\n  \u003cli\u003eStereo link feature used to connect another A5X\u003c\/li\u003e \r\n  \u003cli\u003eTweeter gain on the rear panel\u003c\/li\u003e \r\n  \u003cli\u003eHigh shelf and low shelf controls on the rear panel\u003c\/li\u003e \r\n  \u003cli\u003e50Hz - 50kHz frequency response\u003c\/li\u003e \r\n  \u003cli\u003eBalanced XLR \u0026amp; unbalanced RCA inputs\u003c\/li\u003e \r\n  \u003cli\u003e110dB max peak SPL per pair\u003c\/li\u003e \r\n  \u003cli\u003eIncludes 5 year warranty\u003c\/li\u003e \r\n\u003c\/ul\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404494036,"sku":"363140","price":499.99,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a5x-and-sub-8-studio-monitor-bundle","title":"ADAM Audio A5x and Sub 8 Studio Monitor Bundle","description":"\u003cp\u003eThe original X-ART folded ribbon tweeter is handmade in Berlin to the exacting standards and precision for which German engineering is known. The A5X\/Sub8 bundle combines this precision in the mids and highs with the Sub8’s mid-field SPL, bass extension and EMOTION . This matched desktop bundle is now available at a $350 discount (for a limited time with select partners).\u003c\/p\u003e \r\n\u003cp\u003eThe A5X is popular among professionals working in television studios and remote broadcast vans. The A5X can also be found in numerous home\/project studios around the world. Its open, powerful sound makes the A5X a trustworthy and useful tool for multimedia applications as well.\u003c\/p\u003e \r\n\u003cp\u003eThe Sub8 is a small yet powerful subwoofer designed to extend the low frequency capabilities of any nearfield monitoring system down to 30Hz. It houses a robust 8.5\" woofer with a 1.5\" voice coil driven by a 160W ICE power amplifier. This amp combines low heat generation with high performance to handle maximum power levels, even during long mix sessions.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404494164,"sku":"1001241","price":1649.97,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a5x-desktop-stands-black-pair","title":"ADAM Audio A5X Desktop Stands (Black\/Pair)","description":"\u003cp\u003eThe A5X Stands from Adam Professional Audio provide a convenient base for the A5X studio monitor speakers. Each stand supports a speaker, and angles it upward, allowing you to place the speaker on a table or desktop while still maintaining a good listening angle. The stands also decouple the speakers from the table to prevent vibrations and reflections.\u003c\/p\u003e Features: \u003cul\u003e \u003cli\u003eAngles the monitors upwards towards your ears for better listening\u003cbr\u003e \u003c\/li\u003e \u003cli\u003eDecouples monitors from the table to minimize vibrations and reflections\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404494228,"sku":"363144","price":75.0,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a5x-desktop-stands-white-pair","title":"ADAM Audio A5X Desktop Stands (White\/Pair)","description":"\u003cp\u003eFor desktop use suitable stands are available from ADAM Audio that are designed to enhance the acoustic setup of the following models: F5, A3X, A5X, ARTist 3 and ARTist 5. These stands align the tweeters to ear level, minimize direct desk surface reflectlions and by doing this, optimize the amount of primary sound. Non-slip rubber coatings on both the set-up area and underneath the stand ensure solid foothold and acoustic decoupling of the speaker.\u003c\/p\u003e \r\n\u003cp\u003eThe desktop stands are available in black or white. Material: coated MDF.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404495060,"sku":"942342","price":75.0,"currency_code":"INR","in_stock":true}]},{"product_id":"adam-audio-a77x-and-sub-15-studio-monitor-bundle","title":"ADAM Audio A77x and Sub 15 Studio Monitor Bundle","description":"\u003cp\u003e\u003cstrong\u003eThe \"Big Boy\" bundle includes a pair of A77x speakers and a Sub15 subwoofer.\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cp\u003eThe A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring. The special feature of the A77X is its 2:1 2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. Even though frequency transitions and potential distortions lie outside these areas, the human ear is particularly sensitive to midrange frequencies.\u003c\/p\u003e \r\n\u003cp\u003eEspecially noteworthy in the A77X is the extremely wide stereo foundation and brilliant stereo imaging. Treble and mids are reproduced with three-dimensional realism and the lows are, as expected from a double woofer design, massive without compromising on precision.\u003c\/p\u003e \r\n\u003cp\u003eThe Sub15 is an extremely powerful subwoofer capable of extending the frequency range of main and midfield monitors down to 20Hz. The sturdy 15\" woofer is made of an exceptionally rigid aluminum membrane and is driven by two powerful magnets and a 100mm voice coil. With 1000 Watts (RMS) power capability, the PWM amplifier has an efficiency factor of nearly 90%. With these performance features, the Sub15 is easily capable of handling critical musical passages with intense and sudden bass peaks without showing signs of distortion or overheating. The downward firing bass port has been specially designed with ample dimensions and rounded edges to cancel any port noise.\u003c\/p\u003e","brand":"ADAM Audio","offers":[{"title":"Default Title","offer_id":48404495124,"sku":"1001244","price":5399.97,"currency_code":"INR","in_stock":true}]}],"url":"https:\/\/sg-2111.myshopify.com\/collections\/mysmartcolection.oembed?page=123","provider":"SG_2111","version":"1.0","type":"link"}