{"product_id":"rob-papen-rp-distort-effect-plugin-vst-au-aax","title":"Rob Papen RP Distort Effect Plugin (VST\/AU\/AAX)","description":"\u003cp\u003eRP-Distort is not just a distortion unit, but much more. The distortion unit inside RP-Distort can be combined with an analog modeled filter, compressor and widener unit. These units can be re-ordered, but also can be turned on or off. So in case you only want a great analog modelled filter... RP-Distort can offer this. Or only the unique widener unit which is great for widening a boring mono track. On top of that, the controls can be modulated using midi sources or by one of the 4 build in LFO’s that can sync to your host tempo. The distortion unit offers 22 distortion types included ring modulator and lo-fi. Inside this section you can also find the EQ and noise-gate. RP-Distort is in fact a wicked FX unit that will distort or alter your tracks in an inspirational way.\u003c\/p\u003e \r\n\u003cp\u003e\u003cstrong\u003ePresets section:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eUses sound banks composed of 128 presets.\u003c\/li\u003e \r\n  \u003cli\u003ePreset handling with copy, paste, clear and compare function.'Quick Browser', 'Recently Browsed' and 'Favorite' functions.All settings are stored inside each preset.\u003c\/li\u003e \r\n  \u003cli\u003ePresets are stored in clear categories banks.\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eESC:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eExternal controller hardware (fader-box) settings can be saved and restored. \u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eDistortion section:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eAmp Simulator\u003cbr\u003e \r\n    Amplifier simulation effect. Several types of amp types are simulated. Great for creating edgy sounds.Type of amp simulation. Settings are:- None, 4x10\" guitar speakers, 4x12\" guitar speakers, Bass speaker, Combo speaker and Radio speaker.Distort Amount of distortion added to the sound.\u003c\/li\u003e \r\n  \u003cli\u003eCabinet Simulator\u003cbr\u003e \r\n    Several types of cabinet types are simulated. Great for creating edgy sounds.Type of cabinet simulation. Settings are:- None,Fender,Marshall \u0026amp; Off Axis.Distort Amount of distortion added to the sound.\u003c\/li\u003e \r\n  \u003cli\u003eClipper\u003cbr\u003e \r\n    Hard clipper, this limits output which is to above or below the set clipping levelNegative The clipping level for the negative signal. From 0% (no clipping) to 100% (maximum clipping).Positive The clipping level for positive signal. From 0% (no clipping) to 100% (maximum clipping).Amount, the amount of clipping from 0% (no clipping) to 100% (fully clipped)\u003c\/li\u003e \r\n  \u003cli\u003eCos\u003cbr\u003e \r\n    Cosine distortion effect.Frequency, Frequency of the cosine effect.Amount, Amount of cosine distortion\u003c\/li\u003e \r\n  \u003cli\u003eCross 1\u003cbr\u003e \r\n    Cross, Position for cross distortionAmount, Amount of cross distortion\u003c\/li\u003e \r\n  \u003cli\u003eCross 2\u003cbr\u003e \r\n    Negative Cross distortion position for the negative signalPositive Cross distortion position for the positive signal.Amount, Amount of cross distortion\u003c\/li\u003e \r\n  \u003cli\u003eFoldover\u003cbr\u003e \r\n    Fold-over distortion, this amplifies and then ‘folds over’ the sound.Frequency Frequency of the fold-over distortion.Amount, Amount of fold-over distortion\u003c\/li\u003e \r\n  \u003cli\u003eFuzz\u003cbr\u003e \r\n    Fuzz-box distortionFrequenter Frequency of the fuzz-distortion effectAmount, Amount of fuzz distortion\u003c\/li\u003e \r\n  \u003cli\u003eGapper\u003cbr\u003e \r\n    Gapper distortion,Frequency Frequency of the gapper distortion effectAmount, Amount of fuzz distortion\u003c\/li\u003e \r\n  \u003cli\u003eHard-limiter\u003cbr\u003e \r\n    Hard limiter, this limits output which is to above or below the set limit level and thenboosts the signal.Limit The clipping level for the signal. From 0% (no limiting) to 100% (maximum limiter).Amount, The amount of post-limiting boosting.\u003c\/li\u003e \r\n  \u003cli\u003eLow-Fi\u003cbr\u003e \r\n    Low-Fi effect, this reduces the sample \u0026amp; bit rate \u0026amp; adds noise to the signal.Bits Bit level of the signal.Sample Rate Sample rate of the signal.Noise Amount of noise added to the signal.\u003c\/li\u003e \r\n  \u003cli\u003eOverDrive \u003cbr\u003e \r\n    Over-drive effectDrive, Drive for the over-drive effectAmount Over-drive mixing amount.\u003c\/li\u003e \r\n  \u003cli\u003eOctave 1\u003cbr\u003e \r\n    Octave effect, this shifts the sound up an octave,Negative Mixing for the negative signalPositive Mixing for the positive signal.\u003c\/li\u003e \r\n  \u003cli\u003eOctave 2\u003cbr\u003e \r\n    Octave effect type 2,Frequency Frequency of the octave effect.Amount, Amount of octave effect.\u003c\/li\u003e \r\n  \u003cli\u003ePower\u003cbr\u003e \r\n    Power wave-shaping effect.Drive, drive for the power effectAmount, Power mixing amount.\u003c\/li\u003e \r\n  \u003cli\u003eRectify\u003cbr\u003e \r\n    Rectifies the signal, by multiplying the negative signalRectification Rectification of the negative signal, from -100% (no rectification), 0% (half rectification) to 100% (full rectification)  Amount, Rectification mixing amount.\u003c\/li\u003e \r\n  \u003cli\u003eRing Modulation\u003cbr\u003e \r\n    The ring modulates (multiplies) different signals together depending on the type.Type Sine, Saw, Sqr \u0026amp; Tri, multiplies the input with the set oscillator.Frequency Sets the oscillator frequency.Amount Sets the ring modulation amount.\u003c\/li\u003e \r\n  \u003cli\u003eSaturate\u003cbr\u003e \r\n    Saturation effect.Saturation Saturation levelAmount Saturation mixing amount\u003c\/li\u003e \r\n  \u003cli\u003eSoftLimit\u003cbr\u003e \r\n    Soft-limiter effectAmount Soft-limiter amount\u003c\/li\u003e \r\n  \u003cli\u003eSquarify\u003cbr\u003e \r\n    Squares the signal (turns it to a square wave), and then lowpass filter it.Negative Amount the negative signal is turned to a square wavePositive Amount the positive signal is turned to a square waveFilter Amount this square wave is lowpass filtered.\u003c\/li\u003e \r\n  \u003cli\u003eTransient\u003cbr\u003e \r\n    Distorts the transients, i.e. the beginnings of sounds.Range Transient rangeAmount Transient distortion amount.\u003c\/li\u003e \r\n  \u003cli\u003eTube Simulator\u003cbr\u003e \r\n    Tube distortion effect, by saturating, limiting, rectifying and bandpass filtering the input.Limit, Hard limiter threshold.Rect Amount of rectification, from -100% (no change), 0% (half) to 100% (full).Saturate Amount of saturation..Tone Frequency of the band pass filter.Emphasis Bandwidth of the band pass filter.\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eEQ Unit (inside the distortion section):\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003e4 Band Equalizer effect.   \u003c\/li\u003e \r\n  \u003cli\u003eOn\/Off The “EQ” label turns on \u0026amp; off the EQ effect.\u003c\/li\u003e \r\n  \u003cli\u003eLow 125 Hz volumeMid 1 500 Hz volumeMid 2 2 kHz volumeHigh 8 kHz volume\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eNoise gate (inside the distortion section):\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eNoise gate unit, the noise-gate is an audio effect that removes any sound (‘gates’) that is below a threshold volume.\u003c\/li\u003e \r\n  \u003cli\u003eOn \/ Off The “Gate” label turns on \/ off the noise-gate effect.\u003c\/li\u003e \r\n  \u003cli\u003eThreshold This sets the threshold on which the noise-gate starts to work.\u003c\/li\u003e \r\n  \u003cli\u003eAttack This sets how fast the noise-gate returns to normal after the input volume is over the threshold.\u003c\/li\u003e \r\n  \u003cli\u003eHold This sets how long the input volume has to below the threshold volume before the noise-gate is triggered.\u003c\/li\u003e \r\n  \u003cli\u003eRelease This sets how long the noise-gate takes to reduce the volume to zero after the noise-gate is triggered.\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eFilter section:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eRP-Distort has a low \u0026amp; high pass filter, in the order low-pass filter then high-pass filter   \u003c\/li\u003e \r\n  \u003cli\u003e12 \/ 24dB Selects between a 12dB and a 24dB filterLow Frequency of the low pass \u003c\/li\u003e \r\n  \u003cli\u003efilterLow Q Resonance of the low pass filterHigh Frequency of the high pass filterHigh Q Resonance of the high pass filter\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eCompressor:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003eaudio compressor with on\/off selector\u003c\/li\u003e \r\n  \u003cli\u003ethreshold, ratio, attack, release and volume paramters\u003c\/li\u003e \r\n\u003c\/ul\u003e \r\n\u003cp\u003e\u003cstrong\u003eModulation:\u003c\/strong\u003e\u003c\/p\u003e \r\n\u003cul\u003e \r\n  \u003cli\u003e4x free modulation routings with amount control\u003c\/li\u003e \r\n  \u003cli\u003e4x LFO with, tempo based sync mode,  waveform, speed, human feel, symmetry control\u003c\/li\u003e \r\n  \u003cli\u003ebypass button for all active modulations\u003c\/li\u003e \r\n  \u003cli\u003eglobal amount control for all active modulations\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rob Papen","offers":[{"title":"Default Title","offer_id":48414756308,"sku":"574535","price":49.0,"currency_code":"INR","in_stock":false}],"url":"https:\/\/sg-2111.myshopify.com\/products\/rob-papen-rp-distort-effect-plugin-vst-au-aax","provider":"SG_2111","version":"1.0","type":"link"}